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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Artist Parent Index</text>
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    <name>Person</name>
    <description>An individual.</description>
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        <name>Website</name>
        <description>The Artist's website</description>
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            <text>&lt;a href="http://www.farheenhaq.com/#/drinking-from-my-mothers-saucer" target="_blank"&gt;&lt;span&gt;http://www.farheenhaq.com/#/drinking-from-my-mothers-saucer&lt;/span&gt;&lt;/a&gt;</text>
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            <text>&lt;a href="http://www.farheenhaq.com/#/new-gallery-38/" target="_blank"&gt;&lt;span&gt;http://www.farheenhaq.com/#/new-gallery-38/&lt;/span&gt;&lt;/a&gt;</text>
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        <name>Medium</name>
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            <text>video</text>
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            <text>installation</text>
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            <text>fabric</text>
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            <text>textile</text>
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        <name>Location</name>
        <description>The location of the interview</description>
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            <text>Victoria</text>
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            <text>British Columbia</text>
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            <text>&lt;p&gt;My media based art practice explores the realm of the moving image as a place of re-examination and possibility. It is a way for me to pull apart and reconstruct the threads of my life. Working in video, installation, performance and photography, I investigate my body and my South Asian Muslim Canadian female identity as a social construction.&lt;/p&gt;
&lt;p&gt;The impetus for my art-making has always been curiosity, questioning and investigating. I want to uncover the place of agency within the structures that are imposed upon me. Fabric is a recurring metaphor to represent the many layers of codes wrapped around women’s bodies. It is a structure for me to hang meaning on – fabric can flow, constrain, codify and signify. It represents culture.&lt;/p&gt;
&lt;p&gt;Through observing the formal and aesthetic properties of cultural gestures such as prayer, wearing a hijab, dressing/undressing, I deconstruct and reimagine how social codes and rituals can occupy the body. I experiment by pushing gestures beyond where they normally rest.&lt;/p&gt;
&lt;p&gt;My works begin from the personal place of my Islamic South Asian Canadian heritage and end as images that can be read by a wider audience. The 6 meter long sari is abstracted into a long swath of red silk. A hooded sweatshirt stands in for a hijab. I deliberately use the conventions of mass media such as cinematic projections and seductive imagery to invite viewers to enter my work and settle in. I slow down and repeat images to facilitate reflection and reconsideration. I magnify texture and body parts so as to connect the viewer to a physical sensation.&lt;/p&gt;
&lt;p&gt;In the process of image-making I see myself and unveil meaning in my life. I invite viewers to inhabit this imaginative space and reconsider their own experience.&lt;/p&gt;</text>
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            <text>mothers of color</text>
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            <text>South Asian</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Farheen Haq</text>
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      <name>Victoria</name>
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