1
300
53
-
https://www.artistparentindex.com/files/original/a7222bbae59d70fa0c90c1f3d1131e10.jpg
4dd72c0bc69d6b4df2ca595f803c3ae2
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Title
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Artist Parent Index
Person
An individual.
Website
The Artist's website
<p><a href="http://www.celiarocha.com" target="_blank" rel="noopener">www.celiarocha.com</a></p>
Medium
drawing
photography
installation
social practice
Location
The location of the interview
Santa Ana
California
Artist Statement
<p>I am a Portuguese interdisciplinary artist living and working in Southern California. My lived experience and my interest in activism are the driving forces in my creative process. I use my artwork as a tool for activism, drawing on social issues that have affected me on a personal level, such as my experience of motherhood, the politics of childbirth or sexual violence. My artwork explores universal issues of gender and collective identity, culture, memory and loss, while it is imbued with the feeling of saudade, a typically Portuguese trait roughly translated as a nostalgic longing or yearning of someone or something of the past.</p>
<p> </p>
<p>I have used a wide range of media - including painting, installation, social practice, video and sound - but drawing and photography remain at the core of my practice. Influenced by Vija Celmins's drawings, Andrea Bowers use of text and activism and Suzanne Lacy’s commitment to social justice, my work examines inequality and is borne out of a desire to call attention to the often invisible and overlooked issues that affect primarily women.<br /><br />@celiarochastudio</p>
Topic
parenting
caretaking
pregnancy
labor
childbirth
motherhood
maternal
c-section
cesarean section
natural birth
home birth
feminism
breastfeeding
baby clothes
babies
children
maternal mortality
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
2021 <a href="https://www.artistparentindex.com/items/show/606" target="_blank" rel="noopener">Maternochronics</a> | Virtual exhibition | maternochronics.com
2018 Maternal Matters | Bolsky Gallery | Otis College of Art and Design | Los Angeles
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Title
A name given to the resource
Célia Rocha
babies
baby clothes
breastfeeding
c-section
California
caretaking
cesarean section
childbirth
children
drawing
feminism
home birth
labor
maternal
maternal mortality
motherhood
natural birth
parenting
photography
pregnancy
-
https://www.artistparentindex.com/files/original/6236ef4940ba5d2119a13fd71f0f02af.jpg
0158c4f2796346dff09b7262bc7d5cee
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.lauraclarke.co.uk" target="_blank" rel="noopener">www.lauraclarke.co.uk</a>
Medium
print
Location
The location of the interview
Bath
United Kingdom
Artist Statement
I wanted to make work that looked at the ritual of cleansing. In our house the bathtub is part of a nighty ritual before bed, but like every activity in our house it is not a private affair. This image shows how virtually impossible physical space is as a mother of small children. Liminality is created through the use of breastmilk; a cleansing, healing, nourishing potion, but also the very thing that often leads me to feel ‘touched out’.
Topic
motherhood
touched out
breastfeeding
parental exhaustion
breastfeeding aversion
bathtime
ritual
breast milk
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
Home Sweet Home, Exhibited with the Rented by the Hour collective, 2020
<a href="https://www.artistparentindex.com/items/show/606" target="_blank" rel="noopener">Maternochronics</a>, Maternal Exhaustion in the Time of Pandemic, Virtual Exhibtion 2021
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Title
A name given to the resource
Laura Clarke
Bath
bathtime
breast milk
breastfeeding
breastfeeding aversion
motherhood
parental exhaustion
print
ritual
touched out
United Kingdonm
-
https://www.artistparentindex.com/files/original/a553087d9993d3e65279a8d51e0ff997.jpg
c36efa6647f2c304e0e9eb71e6f9946c
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Title
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Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.kasiecampbell.com" target="_blank" rel="noopener">www.kasiecampbell.com</a>
Medium
photography
Location
The location of the interview
Edmonton
Alberta
Canada
Topic
breastfeeding
nursing
care taking
motherhood
parenting
breastmilk
pumping milk
newborn
newborn care
postpartum
postpartum anxieties
grief
mourning
Covid-19
pandemic
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="https://www.artistparentindex.com/items/show/606" target="_blank" rel="noopener">Maternochronics</a>
Artist Statement
<p>It almost feels like I have spent the past two years in isolation. I’ve been consistently trying to navigate my <span>artistic</span> practice through intense waves of grief over the loss of my mum, infertility/miscarriage, and a fear of dying. Things have shifted in the last 4 months, with added postpartum anxieties, healing associated with childbirth, obsessive tracking of my baby’s feeds, breastfeeding struggles and COVID 19. With the COVID pandemic, there were increased anxieties surrounding my newborns health. Will my baby be okay? What if my baby gets sick? What about check-ups? Am I feeding my baby enough? what if my milk dries up and I can’t feed my baby? What if I get sick and can't feed my baby? Am I spending adequate time with my oldest child?</p>
<p>As a way to ease my anxieties, I started pumping breast milk. I would pump at 5:00 every morning after our first feed. I began writing thoughts or worries along with the date on each bag of breastmilk. I would then photograph the bags of breastmilk as a way to document life postpartum, anxieties about mumhood and life in COVID19. The act of pumping breastmilk and freezing was a ritualistic and meditative way for me to cope and eased anxieties around getting sick and not being able to feed my baby.</p>
<p>Postpartum anxieties are exacerbated by the times we are living in.</p>
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Title
A name given to the resource
Kasie Campbell
breastfeeding
breastmilk
Canada
care taking
Covid-19
grief
motherhood
mourning
newborn
newborn care
nursing
pandemic
parenting
photography
postpartum
postpartum anxieties
pumping milk
-
https://www.artistparentindex.com/files/original/91d4eff98c856e8b0f7c3e4a6de2e882.JPG
d03c5628ee24d3df7bcf44a180d480a2
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Title
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Artist Parent Index
Person
An individual.
Name
Emily Zarse
Website
The Artist's website
<a href="https://www.emilyzarse.com/" target="_blank" rel="noopener">https://www.emilyzarse.com/</a>
Topic
mothering
maternal body
intergenerational connection
exhaustion
postpartum
breastfeeding
care
matrescene
maternochronics
Medium
fiber
natural dyes
found objects
Artist Statement
Cloth has a memory like the body. I create fabric installation that explore the precarity of the postpartum body. Residue of physical and emotional trauma are captured on the surface of the floating maternal forms. Color from foraged plants and “saddened” with iron and calcium, records the depletion of energy and essential nutrients used to grow new life.
Emily Zarse is an installation artist working with the language of natural dyes and fiber processes to explore the maternal body and matrescence. She received a degree in Costume and Textile History from Cornell University and is currently a MFA candidate at Indiana University.
Location
The location of the interview
Bloomington
Indiana
USA
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Contributor
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Emily Zarse
Title
A name given to the resource
Emily Zarse
breastfeeding
Care
exhaustion
fiber
found objects
intergenerational connection
maternal body
maternochronics
matrescence
mothering
natural dyes
postpartum
-
https://www.artistparentindex.com/files/original/87dd4ca8357cd5c98ffec66d0e98bc75.jpg
f0c974be4564c23ba95b0cb12dd30e58
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Title
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Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="https://www.lesliefandrich.com/" target="_blank" rel="noopener">https://www.lesliefandrich.com/</a>
Topic
bodies, pregnancy, the womb, breastfeeding, dependance, family relationships, domesticity
pregnancy
the womb
breastfeeding
dependance
family relationships
domesticity
Medium
textiles
fabric
found objects
sculpture
collage
mixed media
Artist Statement
My feminist, interdisciplinary art practice considers the interplay between subject and object and the liminal nature of our bodies. I create objects and spaces that may allow the viewer to re-experience and recall moments of transformation from childhood. I am interested in the boundaries of our bodies and how we are in relationship to our domestic spaces and to each other. I am interested in the pregnant/nursing/mothering body and how it holds and cares for other bodies and how our bodies change, age and need repair.
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Contributor
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Leslie Fandrich
Title
A name given to the resource
Leslie Fandrich
Bodies
breastfeeding
collage
dependance
domesticity
fabric
family relationships
found objects
mixed media
pregnancy
sculpture
textiles
the womb
-
https://www.artistparentindex.com/files/original/55fb0ca712e4aee4f847c3995dccb6f4.jpg
16391f2c23f357b67d8c5f7d48438bd8
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.christiancruzperformance.com" target="_blank" rel="noopener">www.christiancruzperformance.com</a>
Topic
sex after children
birthing (labor)
breastmilk
postpartum
body positivity
sex after children
Medium
performance art
installation
painting
poetry
sculpture
Artist Statement
My work takes the form of performance, installation, video, and photo. Through the poetic exploration of the mundane, I dignify invisible labor. Invisible Labor includes the emotional, spiritual, and domestic labor that it takes for human reproduction. Invisible labor is undervalued within a capitalist society. I create environments and objects that reexamine what is valuable within our society today, heal the imagination, and ritualize this radical process into a future reality.
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Contributor
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Christian Cruz
Title
A name given to the resource
Christian Cruz
birthing (labor)
body positivity
breastfeeding
breastmilk
installation
painting
performance art
poetry
postpartum
sculpture
sex after children
-
https://www.artistparentindex.com/files/original/70a8ab7e270942cf6eecb0109b0b96ec.jpg
b2753e9139a78339057ee6a3eb7a7112
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Title
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Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.Mpetersonart.com" target="_blank" rel="noopener">Mpetersonart.com</a>
Medium
photography
Artist Statement
<p><b>I focus on reclaiming the iconic image of the nursing mother through a photographic series of 35 continuous frames documenting the last time I nursed my infant titled </b><b><i>Jamie’s Last Breast. </i></b><b>In the images my child is clothed while I am disheveled and openly processing the intense loss that this moment signifies. The images highlight the contrasting experiences of the mother and child. The unfiltered documentation of this process is meant to be a rebuttal and a resistance to the traditional and often religious representation of the relationship between the mother and child in which the emotional experience of the mother is negated.</b></p>
Topic
nursing
weaning
breastfeeding
Location
The location of the interview
New Hampshire
USA
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Title
A name given to the resource
Michelle Peterson
breastfeeding
nursing
photography
weaning
-
https://www.artistparentindex.com/files/original/7bafb74299b613e13b7ae3dee7435569.jpg
1c2e2d6174840a99b0e23eab3596a1b4
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.Theartofhintz.com" target="_blank" rel="noopener">Theartofhintz.com</a>
Topic
breastfeeding
motherhood
growth
Medium
painting
oil
gouache
Artist Statement
I am a painter working primarily with oils and gouache creating abstractions with saturated colors, geometric patterns, and natural forms. Art making, particularly painting, has long been an integral part of my identity. I've chosen to hold space and time in my life for painting repeatedly because it functions as a vehicle for introspection, meditation, and exploration. Making patterns by repeating simple shapes requires patience, commitment, and faith in many small gestures to build the whole. I use recurring motifs inspired by personal experience, Judeo-Christian religious spaces, and mother nature herself. Often my pieces will start from direct observation like a moonrise, a meadow in late fall, or the wind moving grasses. As the paintings grow, I intuitively add layers of abstraction and symbolism such as the flower of life, the star of David, and phases of the moon. My painting has explored the intersection between my desire for the familiarity and community of organized religion and being drawn to a more solitary spiritual practice rooted in nature. Currently my work is turning to explore themes of motherhood, breastfeeding, and creating life.
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Title
A name given to the resource
Jen Hintz Eggers
breastfeeding
growth
motherhood
-
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://monyarowegallery.com/artist.php?aID=259" target="_blank" rel="noopener">http://monyarowegallery.com/artist.php?aID=259</a>
Medium
acrylic on panel
Location
The location of the interview
Brooklyn
New York
USA
Artist Statement
<div class="field two columns alpha">I make paintings centering around my daily life. I paint what I know or think I know about the everyday experience of being alive. The paintings tend to explore the intimacy of domestic space The quieter familiar and private moments at home or abroad. I paint self portraits and portraits of my husband and child. They reflect part of the ritual or routine of life. This is the world of my home, wherever that maybe. I work from photos but also from the memory of those moments. It is what is there and sometimes from what I want to be there. Like any work from life there are a lot of truths and untruths.</div>
Topic
birth
pregnancy
breastfeeding
domestic life
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Title
A name given to the resource
Polina Barskaya
acrylic
birth
breastfeeding
domestic life
pregnancy
-
https://www.artistparentindex.com/files/original/1846fc2775deb2d6c455e42e13068011.jpg
3f770a33b40414fe2e92162a1a112ad5
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.jenniferlugris.com" target="_blank" rel="noopener">www.jenniferlugris.com</a>
Topic
motherhood
family
marriage
child
breastfeeding
identity
BIPOC
immigration
multiculturalism
biracial
family history
ancestors
California
Uruguay
South Korea
North Korea
Medium
painting
Artist Statement
I grew up in a house where asado was eaten with kimchi and where dinner conversations seamlessly shifted from English to Spanish to Korean and sometimes even Galego. My Korean, Uruguayan, Spanish, and Portuguese backgrounds lead to multi-cultural, idiosyncratic, ill-fitting puzzle pieces that make up who I am. Likewise, my multi-panel paintings are intensely fractured, creating conflict upon close inspection of the juxtaposed illusionistic and abstracted, flattened and textured forms. I disrupt the continuity from one piece to the next, as well as, push and pull on figure and ground to play with how front-to-back are perceived. Growing up, I received many quizzical looks as individuals attempted to understand and piece together my varied, ethnic background. I wish to recreate that same experience in my paintings by provoking the audience to question and work to find connections that pull the piece together. Comparable to the oddly placed blocks in the paintings, which are linked through composition and color palette, I too, am linked by a unified body made up of mixed traditions and ancestries.
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Jennifer Lugris
Title
A name given to the resource
Jennifer Lugris
ancestors
BIPOC
biracial
breastfeeding
California
child
family
family history
identity
immigration
marriage
motherhood
multiculturalism
North Korea
South Korea
Uruguay
-
https://www.artistparentindex.com/files/original/3f7f0426eb6387204ab12c41b41a599c.jpg
bfb83e6254053566dbc47843a58baa5a
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Title
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Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.milkdiaries.weebly.com" target="_blank" rel="noopener">www.milkdiaries.weebly.com</a>
Portfolio: <a href="http://www.manabette.weebly.com" target="_blank" rel="noopener">www.manabette.weebly.com</a>
Topic
motherhood
breastfeeding
parent-child mutual dependence
learning from the child
collaboration of mother and child
inclusion in the family
mother's aim to sustain herself from art making
Medium
writing
painting
photography
collage
drawing
natural fibre
singing
dance
Artist Statement
<span>I choose to celebrate my art through motherhood, and my motherhood through art. My work will promote inclusion and equanimity and will connect me to my child and my self.</span>
Location
The location of the interview
Lithuania
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Title
A name given to the resource
Agnieszka Olszewska
breastfeeding
collaboration of mother and child
collage
dance
drawing
inclusion in the family
learning from the child
mother's aim to sustain herself from art making
motherhood
natural fibres
painting
parent-child mutual dependence
photography
singing
writing
-
https://www.artistparentindex.com/files/original/3cf0d3b955ab0fdc4a935b94a4560888.JPG
b06e1c9b89dd670d100b6352001dbff8
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Title
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Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.gracecross.net" target="_blank" rel="noopener">www.gracecross.net</a>
Location
The location of the interview
Cape Town
South Africa
Artist Statement
Grace Cross (b. Harare, Zimbabwe 1988) is a material painter who draws symbols about motherhood, home, belief structures, and land; making shipting recipe's rooted in feminism, history, performative archaeology and African cosmology, to reflect her experiences of cultural transmission. Her painting practice, since the birth of her daughter, focuses on female storytelling, spirituality, and mining symbols of motherhood in her lush and colourfilled canvases. Her paintings seek to represent a cosmological world, where paint weaves images together to work as spells or incantations. The painded symbols thread ideas together, daming and mending, compositionally sewing the symbolic into the real, tethering the objects to one another. She traces a history of laboring women, their bloodline, their red thread of fate, through her paintings - <em>placenta red, metnrual red, nipple-suked-raw red. </em>This is the tie that binds - an umbilical cord - the maternal line. The thread is fine buth strong; it will not come undone; even as it unspools, running from the distant past to the present, from one canvas to another. Cross lives and works as a mother and painter in Cape Town
Topic
motherhood
parenting
breastfeeding
gender-based violence
play
caretaking
symbolism
fertility
nutrition
latch
food
storytelling
matriessence
babies
pregnancy
archaeology
feminism
psychic trauma
womb
birth
awakening
child's play
language acquisition
poetry
burdens
reproduction
patterns
textiles
women's work
domesticity
labour
performative
painting
spirituality
bloodline
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<em>Mother is a Drum, </em>2019, Smith Studio, Cape Town
<em>Atlas is a Woman, </em>2020, The Vault, Zeitz Silo Hotel, Cape Town
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Title
A name given to the resource
Grace Cross
archaeology
awakening
babies
birth
bloodline
breastfeeding
burdens
caretaking
child's play
domesticity
feminism
fertility
food
gender-based violence
labour
language acquisition
latch
matriessence
motherhood
nutrition
painting
parenting
patterns
performative
play
poetry
pregnancy
psychic trauma
reproduction
spirituality
storytelling
symbolism
textiles
womb
women's work
-
https://www.artistparentindex.com/files/original/ce82dc223c6e43643c970c11769cd050.jpg
17a49fd9aa90dc0d37265f3b401dadb6
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.carrascoart.com" target="_blank" rel="noopener">carrascoart.com</a>
Topic
birth
postpartum
newborn
breastfeeding
stretch marks
postpartum body
black mother
Mexican mother
breast milk
multipara
natural birth
Medium
oil on canvas
Artist Statement
I paint what I know. Sometimes it involves communicating perceptions, relationships, and feelings too difficult for me to put into words. I'm inspired by depth, continuity, love, faith, and multi-generational connections, the most meaningful things we have, and sometimes what we lose. There is a certain forgiveness of myself I must practice each time I paint. Raising a family with six children at home and caring for a mentally ill parent means that painting sessions are reduced to blocks of time lasting an hour or less. Painting in this manner reflects my current life circumstances in hurried brushstrokes and imperfections that reveal my most authentic voice.
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Contributor
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Lupita Carrasco
Title
A name given to the resource
Lupita Carrasco
birth
black mother
breast milk
breastfeeding
Mexican mother
multipara
natural birth
newborn
oil on canvas
postpartum
postpartum body
stretch marks
-
https://www.artistparentindex.com/files/original/2ce13ef1e979de3fe5cd255bd029fee9.jpg
2f833af1772af0bf05b09120a3dda584
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.anadiaknox.com" target="_blank" rel="noopener">www.anadiaknox.com</a>
Topic
breastfeeding
nurturing
postpartum body
sexuality
motherhood
parenthood
Medium
performance
sculpture
installation
video
photography
Artist Statement
My most recent body of work utilizes themes relating to body, identity and time, from the perspective of a mother, partner and individual. I am interested in the ways that nurturing and caring for a child translates as occupational labor, and how this makes common cause with the working class by exploring the laborious nature of parenthood. I approach these ideas through various methods, including casting, construction and performance. While the different series in this body of work investigate separate ideas relating to roles of the postpartum body, a shared use of material can be seen throughout. Construction materials such as wooden pallets, 2x4s and scaffolding reference blue collar workforce, while breast milk storage bags and nursing pads suggest the time-consuming and repetitive notions associated with motherhood. The series in this body of work evolves as my role as a caretaker evolves, and aims to question how modern society values parenthood.
Location
The location of the interview
Loris
South Carolina
USA
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Alexandra Knox
Title
A name given to the resource
Alexandra Knox
breastfeeding
installation
motherhood
nurturing
parenthood
performance
photography
postpartum body
sculpture
sexuality
video
-
https://www.artistparentindex.com/files/original/90a59b3d4a20eb3c0c88e422facd732e.jpg
f0394855ac198b231d4fc17c0c11e184
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.alisonchen.com" target="_blank" rel="noopener">www.alisonchen.com</a>
Medium
video
photography
performance
Location
The location of the interview
Los Angeles
California
USA
Artist Statement
Through video, performance, photography, and text, I explore the complexities and confusions<br />that surround the act of love and the dynamics of vulnerability. What are the areas where our<br />preconceived notions fall short. How do we hold on to beauty amidst fear and failure? My work<br />approaches motherhood from within this framework as I process the ramifications of the<br />transformation into “mother” and the simultaneous shift in her relationship to time and mortality.<br />Ultimately, the work explores the concurrent existence of bliss and fear, birth/life and death,<br />resistance and acquiescence.
Topic
motherhood
loss
miscarriage
breastfeeding
postpartum body
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
Color: Coded, New Art Center, Newton, MA
<a href="http://www.artistparentindex.com/items/show/495">Painting at Night, Fort Houston Gallery, Nashville, TN</a>
Dublin Core
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Title
A name given to the resource
Alison Chen
breastfeeding
loss
miscarriage
motherhood
performance
photography
postpartum body
video
-
https://www.artistparentindex.com/files/original/72e8c12f6c522dc38efa90a6b16c5d3f.jpeg
75f0c9efe9e4f89ab6e2bb75b74a2879
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.diabassett.com" target="_blank" rel="noopener">www.diabassett.com</a>
Medium
fiber
found objects
performance
painting
Location
The location of the interview
San Diego
California
USA
Topic
parenting
caretaking
breastfeeding
dyad relationship
microbiomes
touch
nurturing
napping
sleep
babyhood
toddlerhood
pregnancy
postpartum
anxiety
hapiness
physiology
nature
biology
Artist Statement
<span> I use distorted and erratic renditions of drawing and fiber techniques such as crocheting, weaving, and wrapping to build sculptural installations varying in size. My process begins when I encounter fabrics that are sourced from family and friends. The tactile experience of touching the fabrics can lead to an intimate, thoughtful meditation when I ponder the history of a garment. Who wore or used this? Where were they going or what were they doing when they used it? I may cut the fabric into long continuous thread, draw onto it, or sew it into a wearable sculpture. Dense forms and linear elements take shape as I let the qualities of the materials guide me. The improvisational aspect of my practice allows unpredictability to prosper.</span><br /><br /><span>Inspired by my own experience of entering motherhood, I want to show the power of the mother’s body and how she influences the infant physically as well as emotionally, intellectually, and spiritually. Sometimes my work takes shape as figurative drawings of the nursing relationship I have with my daughter. I incorporate repetitive text into the drawings that speak to the ever-changing mental space of becoming a mother—the anxiety and worry, the joy and gratitude. Other times my work becomes sculptural, utilizing the curvealinear forms found in nature and women’s bodies. Looking at nature’s processes of decay, entropy, rupture, and unraveling, I find an ever-increasing affinity to my body. Becoming a mother has begun to transform the art I make as I see the kinship to nature more clearly. I want viewers to reconnect with their own vulnerability as well as their strength, as motherhood has required I do so in a more profound way. Within this state of vulnerability and power, I believe we can access the sensitivity that will facilitate our collective empathy.</span>
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Title
A name given to the resource
Dia Bassett
anxiety
babyhood
biology
breastfeeding
caretaking
dyad relationship
fiber
found objects
happiness
microbiomes
napping
nature
nurturing
painting
parenting
performance
physiology
postpartum
pregnancy
sleep
toddlerhood
touch
-
https://www.artistparentindex.com/files/original/895b351127f91eb59791a2fbfe18bdb3.jpg
5d9e5bd11d6d8f57ae5f603a52b3927a
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.catherinereinhart.com/#/topography-of-dwelling/" target="_blank" rel="noopener">http://www.catherinereinhart.com/#/topography-of-dwelling/</a>
Topic
care economy
artist/mother studio
breastfeeding
Topography of Dwelling
socially engaged art
drawing
hair
braiding
acts of care
fiber art
Medium
fiber art
video
sculpture
drawing
found textiles
socially engaged art
Artist Statement
Topography of Dwelling seeks to make visible the invisible labor of caregiving through intentional record keeping and the collection of domestic detritus. This body of work includes drawings, rubbings, sculpture, fiber works, and video. Tending to one’s home and family takes copious amounts of time dealt out across tedious and repetitive efforts. This work, often done by women, is incalculable and undervalued. Tasks such as laundry, braiding, and lawncare serve as fodder for works exploring the themes of tending, labor, and time. The use of hair is central. The ritual of braiding is a powerful act of care enacted daily on a disinterested beneficiary, my daughter. Using recorded data from these sessions and topographic maps from the Midwest, I make drawings that map both my home and natural landscapes. For Maternal Studies |Material Studies, I collect hair from my children and ancestors in glassine envelopes. Stratums of dyed fiber and rubbings taken from discarded textiles reference sedimentary layers and the state of my laundry pile. Taking an anthropologist’s gaze, I attempt to illustrate my experience as a home[maker]. This is a gaze which includes objects and artworks, similar to exhibitions found in a natural history museum. This body of work is a study in the accretion of the domestic life and a catalogue of its labors. As an artist/mother, my role is that of archivist and field hand. My aim is to show the value of such labors and the futility inherent in pursuing them.
Location
The location of the interview
Iowa
USA
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Contributor
An entity responsible for making contributions to the resource
Catherine Reinhart
Title
A name given to the resource
Catherine Reinhart
acts of care
artist/mother studio
braiding
breastfeeding
care economy
drawing
fiber art
found textiles
hair
sculpture
socially engaged art
Topography of Dwelling
video
-
https://www.artistparentindex.com/files/original/4540484a44cfb8e14c4b6c5c31fde8c5.jpg
3b228004fcc83700a7500f515c570b79
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
www.billieireland.co.uk
Topic
birth
breastfeeding
breastfeeding multiples
twins and motherhood
Medium
mixed media
Artist Statement
This recent body of work charts my experience of pregnancy and motherhood. As a recent mother to twin boys and a daughter I document this alien state, with all its mystery and ambivalence, both physical and emotional. I explore the meanings of two very different experiences of pregnancy, birth and nurturing. Pregnancy and birth stirred up the loss of my own mother, loss of myself and the stark reality of my own mortality.
I want my images to embody and echo the inherent contrasts of strength and beauty with loss and conflict. The cycle of birth and death, light and dark appear obliquely and more obviously, interwoven with intergenerational and universal experience. The works evoke deep dichotomies and the eternal cycle. Carrying and feeding identical twins meant naturally creating symmetry in images. It also calmed and created space to meditate on my acts of feeding and my physical positioning. In contrast the organic visceral nature of the more abstract paintings attempt to visualise the unseen workings of the birthing body and beyond.
It is always fundamental that I grapple with materials and processes, creating images that capture a spiritual dimension through the use of ancient and traditional techniques. The time intensive preparation of gesso grounds, carved and layered, permanently record these fleeting moments. I draw using hair fixed with wax and egg yolk. I burn into paper and use fluid paint and intense mark making.
The work includes humour, a necessary component to creating artwork against the background of the constant demands of three very young children. Their contribution is an exciting and essential part of the work, both materially and emotionally. Without them this work would not exist.
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/449">The hormone, the hermit, and the hairy moon</a>
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Billie Ireland
Title
A name given to the resource
Billie Ireland
breastfeeding
breastfeeding multiples
mixed media
twins
-
https://www.artistparentindex.com/files/original/c78459004d1242ec6011671f854a29b3.jpg
464538a94bada4934d26dca8498de10a
Dublin Core
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Title
A name given to the resource
Artist Parent Organization Database
Service
An organization supporting artist parents.
Location
The location of the interview
Baltimore
Maryland
Topic
maternal form
maternal body
motherhood
postpartum
maternal relationship
mother-child relationship
identity
race
pregnancy
form
weight
postpartum body
abstract
figurative
magazine
publication
visual art
photography
creative writing
breastfeeding
milk
maternal experience
fruit
About
Containing an intentionally curated body of work, conceptually driven, and visually
focused, MILKED is a new publication that focuses on the undertones of the maternal figure.
Styled like a newspaper, and published as a book, this full color, 8.5” x 14” publication features
76 pages of visual art, photography and written word by international, female artists. MILKED is
an independent project, initiated and curated by Lee Nowell-Wilson and designed by Darin
Michelle. Both artists. Both mothers.
Organization Website
<a href="http://www.leenowellwilson.com/milked-magazine" target="_blank" rel="noopener">leenowellwilson.com/milked-magazine</a>
<a href="http://www.milkedmagazine.com" target="_blank" rel="noopener">milkedmagazine.com</a>
Organzation Director
Lee Nowell-Wilson (founder, editor, and curator)
Darin Michelle
(creative director and designer)
Dublin Core
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Title
A name given to the resource
MILKED
abstract
breastfeeding
creative writing
figurative
form
fruit
identity
magazine
maternal body
maternal experience
Maternal form
maternal relationship
milk
mother- child relationship
motherhood
photography
postpartum
postpartum body
pregnancy
publication
Race
visual art
weight
-
https://www.artistparentindex.com/files/original/ebcdde4a3bebe630d2aa5358ea49fc3f.jpg
cc3b35aa6dff71a9168a269774f6f1bd
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.lexmarie.com" target="_blank" rel="noopener">www.lexmarie.com</a>
Medium
acrylic
acrylic on canvas
Location
The location of the interview
Maryland
USA
Artist Statement
As a contemporary artist, I create based on visuals concepts of the imagination and real life. Including abstract techniques in my portraits and other pieces, allows room for the audience to connect to each body of work and identify themselves somewhere in the storyline. Uniquely I chose to opt out of outlining as done in my previous works, and focused on using bold color choices. My art represents my story, but I know it’s a story many know well. <br /><br />In my Mother and Son series, I hope to reflect the honesty and beauty of motherhood, the ugly too. It’s far from perfect for any parent. No matter what walk of life you come from, this series is personal, it’s transgenerational, it’s ours. Mother and Son is a reminder that I’m not alone in this everchanging journey and makes light of precious fleeting moments along the way.
Topic
parenting
art
motherhood
artist/mother
artists with children
breastfeeding
son
children
everyday
everyday life
single mother
single mothers
women artists
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
Artist Mother Studio x Project for Empty Space
Publications
A catalog or monograph published by the artist
Maternal Journal #2
Dublin Core
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Title
A name given to the resource
Lex Marie
acrylic
acrylic on canvas
art
artist/mother
artists with children
breastfeeding
children
everyday
everyday life
Maryland
motherhood
parenting
single mother
single mothers
son
USA
women artists
-
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://Www.jilllavetsky.com" target="_blank" rel="noopener">Www.jilllavetsky.com</a> Instagram @jilllavetsky
Topic
breastfeeding
early motherhood
caring for an infant
mother baby bond
Medium
watercolor
Location
The location of the interview
Florida
USA
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/495">Painting at Night, Fort Houston Gallery, Nashville, TN</a>
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Jill Lavetsky
Title
A name given to the resource
Jill Lavetsky
breastfeeding
caring for an infant
early motherhood
mother baby bond
-
https://www.artistparentindex.com/files/original/6879e5262cb9e377c7e3d58fdff4ff99.jpg
4aba0e661f5c73f7e77b4ce49e157512
Dublin Core
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Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Website
<a href="https://www.masseyklein.com/the-end-the-beginning">https://www.masseyklein.com/the-end-the-beginning</a>
Gallery
Massey Klein Gallery
Location
The location of the interview
New York
USA
Curator
Ryan Massey
Curatorial Statement
<span>Massey Klein is pleased to present </span><em>The End & The Beginning</em><span>, a two-person exhibition exploring themes of life and death through works on paper by Alice Gibney and Sarah Irvin. </span><br /><br /><span>Alice Gibney’s illustrations in </span><em>The End & The Beginning</em><span> are humorous explorations of humanoid and animal figures. Her characters twist, rise, dance, and praise; their movement captured through frames as if they are sequences in a stop-motion film. The charcoal, color pencil, and ink on paper drawings range in scale from 1:1 ratio of human proportions to small, intimate sketches.</span><br /><br /><span>Gibney’s works were created in response to a sudden and unexpected loss of a loved one. Her figurative drawings began to blur and erode as the artist’s emotional life and identity spread itself across the paper in a performative gesture of mourning and reflection. Celtic myths, slapstick humor, and Samuel Beckett became the beacons of light that shifted the artist’s perspective and made room for grief to evolve into a new tale. And so these characters were born to tell a new story: one wrought with paradoxes and clumsiness. They belong to a world that is not ours, but has the flavor of somewhere familiar. A tent, a child’s playtime sculpture, synthetic wigs, and exaggerated clothing cover their frames and become their bodies.</span><br /><br /><span>Gibney is a Canadian artist who lives and works in Berlin, Germany. This is her second exhibition with the Gallery.</span><br /><br /><span>Sarah Irvin’s graphite drawings on paper record the experience of new life and motherhood. At various times while breastfeeding, the artist created drawings that codified her daughter's action of eating. Loops go up with a suck and round down with a swallow, transcribing the unreadable language of a baby at the breast. Also while breastfeeding, Irvin used a digital program to track the start time, breast side, and duration of each feeding. From this immense amount of data, the artist created an interactive sculpture resembling a card catalogue that allows the viewer to not only review different sessions, but physically acknowledge the significant amount time and energy needed for an often unacknowledged task. </span><br /><br /><span>In the artist’s rocking chair series, the act of caring for a baby is codified as a form of mark-making. Pieces of graphite hung from the underside of Irvin’s glider rocking chair and created marks on a piece of paper attached to the stationary base. The series began when her daughter was born and was completed the day she turned one. Anyone who used the rocking chair during the first year of the child’s life participated in the creation of the works. In addition to the original works on paper, the Gallery will release a limited print edition of the first and last breastfeeding and rocking chair sessions as well as a small edition of breastfeeding record logs for the collector to “complete” on their own.</span><br /><br /><span>Irvin is an American artist who lives and works in Richmond, Virginia. This is her first exhibition with the Gallery. </span>
Artists
Alice Gibney
Sarah Irvin
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
January 11 - February 17, 2019
Topic
breastfeeding
rocking chairs
infant care
parenting
data visualization
Dublin Core
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Title
A name given to the resource
The End & The Beginning
breastfeeding
data visualization
infant care
New York
rocking chair
USA
-
https://www.artistparentindex.com/files/original/6bb2e1291d6d97f55b95215dc55ca471.jpeg
e64733c4c2f74f7168d91059c7fc1266
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<p class="p1"><a href="http://www.jessdobkin.com" target="_blank" rel="noopener">jessdobkin.com</a></p>
Medium
performance
social practice
Location
The location of the interview
Toronto
Canada
Artist Statement
<p class="p1">I’ve been a working artist, curator, community activist and teacher for more than 25 years, creating and producing intimate solo performances, large-scale public happenings, socially engaged interventions and performance art workshops and lectures. My practice extends across black boxes and white cubes, art fairs and subway stations, international festivals, and single bathroom stalls. I’ve operated an artist-run newsstand in a vacant subway station kiosk, a soup kitchen for artists, a breast milk tasting bar, and a performance festival hub for kids. I’m forever inspired by the rebel queers, renegade witches, and other dyke moms I run with, and bound to many brilliant artists, activists, spell-casters and healers. <span class="s1">For many years I made performances that drew from my own experiences of trauma and transformation, intimacy and motherhood. More recently, I’ve experienced a shift in my practice, where my attention has turned to wider theoretical questions about the nature of performance itself to </span>ask questions about when, where, how we perform - in theatres and galleries, on social media, and in our everyday lives.</p>
Topic
abjection
activism
adulthood
aging
archive
art
art and research
artist mother
art making
artist parent
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal body
maternal bodies
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist identity
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood and political context
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
subjectivity
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mothers
single mother
social justice
social practice
stories
storytelling
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women's health
women's identity
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
The Lactation Station Breast Milk Bar 2006, 2012, 2016
Imagined Family Portraits 2007 - ongoing
Free Childcare Provided 2013
Fee for Service 2006
Being Green 2009
Dublin Core
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Title
A name given to the resource
Jess Dobkin
abjection
activism
adulthood
ageing
archive
art
art and research
art making
artist mother
artist parent
artist-parents
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
Care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal bodies
maternal body
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist
mother artist identity
mother artists
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and political context
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mother
single mothers
social justice
social practice
Stories
storytelling
subjectivity
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women’s health
women’s identity
-
https://www.artistparentindex.com/files/original/61d4f4bca02572e9c01461fb24966766.jpg
9f7b359dc50b75736d93e3ad3daeff60
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<p class="p1"><a href="https://www.marketas.net" target="_blank" rel="noopener">https://www.marketas.net</a></p>
Medium
drawing
painting
bookmaking
Location
The location of the interview
London
United Kingdom
Artist Statement
My practice is closely linked to my personal life. There are no boundaries between me and the viewer. Through drawing, painting and bookmaking I am sharing my internal experiences in work that has the intimacy of a personal diary."
Currently I am exploring the subject of motherhood, mother-artist and female energy. The body's transformation, experienced as transition - from girl to woman, daughter to mother - is a central them in the work.
Topic
motherhood
diary
mother's diary
breastfeeding
labor
mother-artist
pregnancy
body
body's transformation
female energy
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
2018
(8) – Festival de dessin (drawing festival)
La Nouvelle Manufacture, Ardeche, France
(https://www.lanouvellemanufacture.org)
Publications
A catalog or monograph published by the artist
M.A.M.A. Issue n.31: Marketa Senkyrik and Robin Silbergleid - mother's diary (for Kaya) - on-line monthly on-line publication featuring art, academic and creative writing with the aim to promote women internationally and generate cultural exchanges and opportunities run by procreate Project
https://www.procreateproject.com/mama-issue-n-31-marketa-senkyrik-robin-silbergleid/
Dublin Core
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Title
A name given to the resource
Marketa Senkyrik
body
body’s transformation
bookmaking
breastfeeding
diary
drawing
female energy
labour
London
mother-artist
mother’s diary
motherhood
painting
pregnancy
United Kindgom
-
https://www.artistparentindex.com/files/original/4e6a17c6cf7df5554155617e72ea95a3.png
8669b3498c064e133b5f73ec33df3176
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.juliabarbee.com" target="_blank" rel="noopener">juliabarbee.com</a>
Topic
motherhood
pregnancy
breastfeeding
motherhood as art practice
play
postpartum
family collaboration
breastfeeding advocacy
food
early motherhood
social media moms group
kids and nature
naptime haiku
Medium
photography
performance
social media
Location
The location of the interview
Oregon
USA
Artist Statement
<span class="ydpfd2cabdayiv1751045275s2">The constraints of her</span><span class="ydpfd2cabdayiv1751045275s2"> autobio</span><span class="ydpfd2cabdayiv1751045275s2">graphical journey</span><span class="ydpfd2cabdayiv1751045275s2"> inform </span><span class="ydpfd2cabdayiv1751045275s2">artist Julia Barbee's subjects and material choices. She has worked in </span><span class="ydpfd2cabdayiv1751045275s2">wearable sculpture, performance, film, food, social media, photography and writing. Currently, she is exploring play with her children, providing space for them to create, and she is making vanitas photos of the aftermath of meals they make and share with friends, family, and strangers.<span> </span></span><span class="ydpfd2cabdayiv1751045275s2">She </span><span class="ydpfd2cabdayiv1751045275s2">co-founded and curated a five-year running art event called Spaceness, which was awarded grant funding from the the Andy Warhol Foundation for the Visu</span><span class="ydpfd2cabdayiv1751045275s2">al Arts. She<span> </span></span><span>has an MFA in fiber, and has been working in Portland, Oregon for</span><span> almost two decades where she lives with her husband and two children.</span>
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Julia barbee
Title
A name given to the resource
Julia Barbee
breastfeeding
motherhood
performance
photography
pregnancy
social media
-
https://www.artistparentindex.com/files/original/e4041556ff44c6099ff6a04645776175.jpg
57f4010fd281a7a879a36d9f874d79c0
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="kaseyjonesart.com">kaseyjonesart.com</a>
Topic
motherhood
breastfeeding
paid leave
working mom
stay at home parent
Medium
interdisciplinary
Artist Statement
My creative pursuits are fueled by my need to connect with people. Through this human interaction, I become more connected to my immediate community and my global community. I use my artistic voice as a means for civic duty. My work instigates dialogue that forces my viewers to confront issues that are typically hard to talk about. I create both large-scale, participatory art projects as well as develop personal work that responds to pertinent social and environmental injustices that impact my life and the lives of others. As an interdisciplinary artist my approach is rooted in the exploration of material. By having an open-ended view of what materials I can use, my art making process is constantly being pushed by the varying limitations each material may have. My exploration of media has lead me to develop bodies of work in painting, photography, sculpture, living sculptures, audio, video, light and textiles. My current work focuses on the injustices I have faced through my experiences of being a woman and a mother in contemporary society. I have created bodies of work that examine topics such as breastfeeding, lack of paid maternity leave, menstruation, and motherhood.
Location
The location of the interview
Athens
Ohio
USA
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/296">The Art of Breastfeeding: Modern Narratives of Motherhood</a>
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Kasey Jones
Title
A name given to the resource
Kasey Jones
Athens
breastfeeding
interdisciplinary
motherhood
Ohio
paid leave
stay at home parent
USA
working mom
-
https://www.artistparentindex.com/files/original/301b46e924fd92f9937194edeb43c81d.jpg
96e8dd7c8f4edc2f450209ddd3eca4ff
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="sarahdolanart.com">sarahdolanart.com</a>
Topic
nursing
sleep
naptime
breastfeeding
body
maternal body
c-section
Medium
fibers
printmaking
recycled materials
Artist Statement
In the second year following the birth of my daughter I began an artist residency in motherhood. For one year I made work during my daughter’s naptime. I created many bodies of work during my residency, using a variety of materials and processes. My works explore multiple aspects of motherhood including birth, the postpartum body, breastfeeding, and objects used for caretaking and play.
The Tender Objects series consists of small, pink, soft sculptures. These works are assembled from cut up pieces of a raincoat, which is meant to shield the body, but rendered useless to protect the body once severed. These pieces contemplate the defenselessness and many unknowns of the insides of our bodies.
Through the Motherbody series, I use materials from clothing that no longer fits my postpartum body. Each soft sculpture imagines some part of me, not unlike my daughters many stuffed animals, as a created comfort item. Filled with stuffing from a pregnancy pillow, they imitate plush objects that would soothe a child while simultaneously examining the immense changes and vulnerability of the body during and after pregnancy.
In the Motherbody Drawings series I draw the motherbody pieces, turning them into something diverging from the comfort item the mother body is perceived to be in our culture. While the drawings are still perceived as soft, they transform the physicality of the sculptures to sensuous and blossoming unknowns. These drawings examine the dichotomy of the mother figure, finding the tender with the intimate, and not separating the two.
The Nursing Pad series explores the enormous amounts of time and labor that are given to feeding an infant. Through the repetitive, labored motion of the embroidery process, I recall the repetition of the breastfeeding process and the sucking motion of the infant. Each piece is labored over. Some carry smaller amounts of embroidery, a recollection of the earliest days when my milk was meager and some are saturated with embroidery, a reconstruction of the soaking of the very same pads with my own milk.
Location
The location of the interview
Alexandria
Virginia
USA
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="https://artistparentindex.com/items/show/436" target="_blank" rel="noopener">Of Printbearing Age, 2019</a><br /><br /><a href="https://artistparentindex.com/items/show/523" target="_blank" rel="noopener">motHER/child, June-Aug 2020</a>
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Sarah Dolan
Title
A name given to the resource
Sarah Dolan
body
breastfeeding
fiber
nap
naptime
nursing
printmaking
recycled material
-
https://www.artistparentindex.com/files/original/b74d38d1e1d4ef8029b9bc1e74e0d4c9.jpg
2b57eef36ea925e0edcf0bfe2c4f64f3
https://www.artistparentindex.com/files/original/4cc6e73aabba44faa753f02965e00cba.jpg
87e745c3df940f0ec569c5d21bed515a
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Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Website
<a href="http://bienaldouro.com/artists/heather.passmore/9">http://bienaldouro.com/artists/heather.passmore/9</a>
Curator
Nuno Canelas
Gallery
<a href="http://www.bienaldouro.com/">http://www.bienaldouro.com/</a>
Curatorial Statement
"Milk Portrait #3" is from a series in progress of women who have covered their faces instead of their breasts in protest to admonishment that they should cover up while nursing in public. Common explanations for discomfort with breastfeeding include milk itself as an abject body fluid, or an inability to view breasts outside the scope of sexual gratification. Yet I see this discomfort strongly tied to the cultural diminishment of human interdependency and intimacy - both of which are severed and obscured by the nursing veil.
Artists
<a href="http://www.artistparentindex.com/items/show/105">Heather Passmore</a>
Museum
Duoro Museum
Location
The location of the interview
Rua do Marquês de Pombal, 5050-282 Peso da Régua, Portugal
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
August 10 - October 21, 2018
Dublin Core
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Title
A name given to the resource
9th International Printmaking Biennial of Douro 2018
Contributor
An entity responsible for making contributions to the resource
Heather Passmore
bienneal
breast milk
breastfeeding
Duoro Museum
Portugal
public space
women
-
https://www.artistparentindex.com/files/original/33e48990f2629d814e5eea03012e41a7.jpg
a5b3da59769c6920f366e662f1f027e9
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8adf4b40cc2d0764d05cd8aa16ffb492
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Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Website
<a href="http://whitewatergallery.com/roman-charity/">http://whitewatergallery.com/roman-charity/</a>
Curator
Serena Kataoka – Executive Director
Gallery
<a href="http://whitewatergallery.com/">White Water Gallery</a>
Curatorial Statement
This exhibition explores an under-examined motive for discomfort with breastfeeding: that it is a powerful display of human interdependence. I also intend the project to raise questions about the politics of milk, women’s breasts and the use of public space.
Location
The location of the interview
North Bay
Ontario
Canada
Artists
<a href="http://www.artistparentindex.com/items/show/105">Heather Passmore</a>
Topic
breastfeeding
interdependence
public space
breasts
milk
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
August 28 – September 30, 2018
Dublin Core
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Title
A name given to the resource
Roman Charity
Contributor
An entity responsible for making contributions to the resource
Heather Passmore
breastfeeding
breastmilk
Canada
interdependence
milk
mothers
Ontario
public space
-
https://www.artistparentindex.com/files/original/e76c63c137bdbbed984911c7a0b5f735.jpg
5742d7ca60eb32c27974bad3ffb4f6f9
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a rel="noopener noreferrer" target="_blank" href="http://www.alanatyson.com/">www.alanatyson.com</a>
Medium
sculpture
textiles
performance
Location
The location of the interview
Wales
United Kingdom
Artist Statement
<p class="p0"><span class="c0">Alana Tyson’s work attempts to make sense of the world she inhabits. As an immigrant to the UK and a natural observer, she feels highly responsive to the contradictions of everyday life.</span></p>
<p class="p1"><span class="c0"> </span></p>
<p class="p2"><span class="c0">Her uncertain questioning of diverse thematic concepts is a tactic for working through the problems she encounters, incorporating performance, sculpture and installation utilising found, altered and constructed elements.</span></p>
<p class="p3"><span class="c0"> </span></p>
<p class="p4"><span class="c0">Tyson is drawn to dualities and incongruities. A commonality between her chosen materials is their link to domesticity. Everyday items, such as suit lining or crochet cotton, become carriers of meaning and reflections upon Tyson’s deep-rooted responses. The material contrasts and tension within Tyson’s work transforms the mundane into the visceral.</span></p>
<p class="p5"><span class="c0"> </span></p>
<p class="p6"><span class="c0"> </span></p>
Topic
feminism
crochet
breastfeeding
motherhood
Dublin Core
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Title
A name given to the resource
Alana Tyson
breastfeeding
crochet
feminism
motherhood
performance
sculpture
textiles
United Kingdom
Wales
-
https://www.artistparentindex.com/files/original/627f38aa621b2ba2eeb28f54797dac5c.jpg
64e7f28a1fe1b2ba09c1e9d4be957b25
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Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Website
<a href="http://mfgallery.net/BFart/BFart.html" target="_blank" rel="noopener">http://mfgallery.net/BFart/BFart.html</a>
Gallery
MF Gallery
Location
The location of the interview
Brooklyn
New York
Curator
Leigh Pennebaker
Martina Secondo Russo
Curatorial Statement
In honor of International Women's Month, MF Gallery is hosting an art show that explores the joys, challenges, and body-politics of breastfeeding and motherhood in the 21st century. Part of the proceeds will benefit La Leche League. Co-Curated by Leigh Pennebaker, (founder of @breastfeedingart feed on instagram) and Martina Secondo Russo, (owner of MF Gallery) this show will feature artwork in a variety of media from two dozen international artists, including Nicoz Balboa, Christa David, Jess Dobkin, Debbies Drummond, Marina Font, Geertje Geertsma, Aimee Gilmore, Jenna Gribbon, Samantha Hahn, Sigal Arad Inbar, Kasey Jones, Raeleen Kao, Lucy Knisley, Rachel Marcotte, Tara McPherson, Anna Melo, Jenny Middleton, April Rose, Martina Secondo Russo, Debra Sheldon, SWOON, Lexx Valdez, Anna Wiggins, Megan Wynne and more.<br /><br /> Today, many female artists are moving beyond the ancient Madonna archetype and creating fresh and exciting work using their firsthand experience with breastfeeding to explore what it means to be women, mothers, and feminists. These artists are making work that celebrates the naturalness and normalcy of breastfeeding and pushes back at a culture that penalizes and censors women’s bodies at every turn. Breastfeeding can be one of the most beautiful and fulfilling journeys in life, but women who wish to nurse their babies often face an uphill battle in a culture that doesn’t provide adequate postpartum support, and in which women are constantly judged and criticized no matter what they do. Even street harassment takes specific form, as strangers admonish mothers to ‘cover up’ while breastfeeding in public spaces. Artists are harnessing such experiences and using them as fuel to create while deepening the discourse around mothers, babies, and our mammal bodies. <br /><br />A portion of the proceeds from artwork sales will be donated to La Leche League of Brooklyn, the local chapter of La Leche League International, whose mission is to help mothers worldwide to breastfeed through mother-to-mother support, encouragement, information, and education, and to promote a better understanding of breastfeeding as an important element in the healthy development of the baby and mother.
Artists
Nicoz Balboa
Christa David
Jess Dobkin
Debbies Drummond
Marina Font
Geertje Geertsma
<a href="http://www.artistparentindex.com/items/show/298" target="_blank" rel="noopener">Aimee Gilmore</a>
Jenna Gribbon
Samantha Hahn
Sigal Arad Inbar
<a href="http://www.artistparentindex.com/items/show/367">Kasey Jones</a>
Raeleen Kao
Lucy Knisley
Rachel Marcotte
Tara McPherson
Anna Melo
Jenny Middleton
April Rose
Martina Secondo Russo
Debra Sheldon
SWOON
Lexx Valdez
Anna Wiggins
<a href="http://www.artistparentindex.com/items/show/2" target="_blank" rel="noopener">Megan Wynne</a>
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
March 10 - April 22, 2018
Topic
breastfeeding
motherhood
babies
breastfeededing advocacy
public breastfeeding
Dublin Core
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Title
A name given to the resource
The Art of Breastfeeding: Modern Narratives of Motherhood
breastfeeding
breastfeeding advocacy
mothers
public breastfeeding
public space
-
https://www.artistparentindex.com/files/original/e11a50043df02a6258a1e5f2e225791f.pdf
e255f7bd963b7e28da63f0beecf440aa
https://www.artistparentindex.com/files/original/22bd0064c357d62b2f7e45d3cd75d0e7.png
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Dublin Core
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Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Title
Of Women
Exhibition Website
<a href="https://www.rockawayartistsalliance.org/" target="_blank">https://www.rockawayartistsalliance.org/</a>
Gallery
Studio 7 Gallery, Fort Tilden
Location
The location of the interview
Rockaway
New York
Curatorial Statement
In celebration of Women’s History Month, Rockaway Artist Alliance honors women and women artists of our generation.<br /><br />Madison Ohmane Artist Statement: Artificial Human Milk The disconnect between mother and infant. The mother’s milk is removed from the breasts with a machine, it is transported, it is cooled for preservation, it is stored and readily available for consumption at a later date, it is consumed by the infant every 3 hours in her presence or not. The direct relationship between mother and infant is removed. The process becomes mechanical. The milk becomes a product. The mother’s milk becomes artificial. When the mother/infant relationship is diminished, what is the end result? What happens when the infant is removed from the mother’s womb and placed in an artificial environment? What happens when the substance made specifically for the infant is replaced with something artificial? When does science take a step back and let nature resume its course? Or not? This work, Artificial Human Milk utilizes familiar plastic milk jugs and infant bottle nipples to represent food as commodity. The objects are placed at eye height to confront the viewer’s relationship with their own children; with their own mother.
Artists
<a href="http://www.artistparentindex.com/items/show/51" target="_blank">Madison Ohmane</a>
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
March 10 - April 8, 2018
Topic
food systems
breast milk
breast feeding
breast pump
pumping
bottle
milk jug
Related Resource
<a href="http://www.artistparentindex.com/items/show/51" target="_blank">http://www.artistparentindex.com/items/show/51</a>
Dublin Core
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Title
A name given to the resource
Of Women
bottle
breast milk
breast pump
breastfeeding
food systems
labor
milk jug
New York
pumping
Rockaway
-
https://www.artistparentindex.com/files/original/887f13afc9c1e55d091fd5439a62d1ad.png
93bb148101b2c08afb2746456b054f43
Dublin Core
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Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Editor
Ann Marie A. Short
Abigail L. Palko
Dionne Irving
Publisher
Demeter Press
City of Publication
Bradford
State of Publication
Ontario
Country of Publication
Canada
Date of Publication
April 2018
ISBN 13
978-1-77258-155-3
Topic
motherhood
breastfeeding
visual culture
maternal theory
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Breastfeeding & Culture: Discourses and Representations
art history
autonomy
breastfeeding
female sexuality
feminism
maternal bodies
maternal theory
maternity
motherhood
Race
-
https://www.artistparentindex.com/files/original/98015d3663fd364a7813c78243b97252.png
131b8cae3dc2815811716d4bc54ebfc5
Dublin Core
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Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Editor
<a href="http://www.artistparentindex.com/items/show/47">Rachel Epp Buller</a>
Contributor
The author of an article within an anthology
Heather Belknap Jensen
Marguerite Gerard
Deborah J Wilk
Paula J Birnbaum
Jessica Dallow
Andrea Liss
Erin Barnett
Cecily Cheo
Elzbieta Korolczuk
Charles Reeve
Mariangeles Soto-Diaz
Diana Quinby
Sandra Matthews
<a href="http://www.artistparentindex.com/items/show/114">Gail Rebhan</a>
Jessica D Clements
Jackie Skrzynski
<a href="http://www.artistparentindex.com/items/show/196" target="_self">Denise Ferris</a>
Maru Ituarte
Erika Swinson
Joan Linder
Nane Ariadne Jordan
<a href="http://www.artistparentindex.com/items/show/204">Elizabeth MacKenzie</a>
Natasha Christopher
<a href="http://www.artistparentindex.com/items/show/199" target="_blank" rel="noopener">Myrel Chernick</a>
Publisher
Ashgate
City of Publication
Farnham
Province of Publication
Surrey
Country of Publication
England
Date of Publication
2012
ISBN 13
9781409426134
Topic
feminist art theory
feminist theory
The Feminist Art Project
art history
maternal body
mother as artist
curating
breastfeeding
motherhood
childbirth
Dublin Core
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Title
A name given to the resource
Reconciling Art and Mothering
art history
breastfeeding
childbirth
curating
feminist art theory
feminist theory
maternal body
mother as artist
motherhood
The Feminist Art Project
-
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ac99cab7c393f9035cf3fa887911dcfd
Dublin Core
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Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Author
Fiona Joy Green
Gary Lee Pelletier
Publisher
Demeter Press
City of Publication
Bedford
Country of Publication
Canada
ISBN 13
978-1-926452-16-6
Province of Publication
Ontario
Topic
motherhood
men
mothering
gender
queer parenting
pregnancy
fatherhood
queer identity
transgender
breastfeeding
masculinity
childbirth
Date of Publication
2015
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Essential Breakthroughs: Conversations about Men, Mothers, and Mothering
breastfeeding
childbirth
Demeter Press
fathers
gender
gender norms
masculinity
men
motherhood
mothering
mothers
queer identity
queer parenting
transgender
-
https://www.artistparentindex.com/files/original/43d6ba07672bbe457f67070ee1dc0c21.jpg
ad6d4c4447e83d9a89e63284384ef976
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.qianamestrich.com/hard-to-place" target="_blank" rel="noopener noreferrer">http://www.qianamestrich.com/hard-to-place</a>
<a href="http://www.qianamestrich.com/photography-trust-your-struggle" target="_blank" rel="noopener noreferrer">http://www.qianamestrich.com/photography-trust-your-struggle</a>
Medium
photography
book
Location
The location of the interview
Brooklyn
New York
Artist Statement
<p></p>
<h1>Hard To Place</h1>
<p></p>
<p><strong><span><em>For all loves never allowed to be.</em></span></strong></p>
<p><span><em>Hard To Place</em> is a true story about race, family and the child welfare system in post-war Britain.</span></p>
<p><span>Combining confidential, UK government documentation with archival and (auto)biographical photography, this series traces the experience of Joseph, an orphan boy of Nigerian and Irish parentage growing up in 1960s/70s London. As a “half-cast(e)” child, in England, Joseph was considered “hard to place” amongst the mostly white, adoptive families.</span></p>
<p><span>Joseph is my husband. On our first date he nervously told me his life story, continuously pulling at his sleeves to hide the ink of bad decisions made during his teenage years as a black skinhead. The little boy seen in <em>Hard To Place</em> is our son. The images in the book provide a visual alternative to the official, master narrative of child welfare that many mixed-race children are imprisoned by.</span></p>
<div><span> </span></div>
<h1>Trust Your Struggle (2010)</h1>
<p></p>
<p>In 2010 during the months after giving birth to my son, I turned to the camera to work through a period of intense loneliness I had never felt before. <span>Feelings of joy and love for my new baby came with equal sentiments of fear and isolation. </span>This “post-partum” situation challenged me to make photographs within the spatial limits of our apartment and to visualize my entrance into motherhood.</p>
<p>During this time, my photographic practice allowed me to hold on to a creative aspect of my previous self that I felt was slipping with every diaper change and breastmilk-pumping session. <i>Trust Your Struggle</i><span> is a photographic essay that documents what is often considered taboo when publicly discussing the new mother experience: the isolation, hectic days, sleepless nights, physical pain and those rare, selfish moments.</span></p>
Topic
motherhood
child welfare
mixed-race children
post-partum
early motherhood
breastmilk
baby food
baths
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/388">Mother Load</a>
Dublin Core
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Title
A name given to the resource
Qiana Mestrich
baby food
breast pump
breastfeeding
breastmilk
child wellfare
early motherhood
early parenthood
mixed-race children
wellfare
-
https://www.artistparentindex.com/files/original/c5640052daa5d505aaf01ef734de8512.jpg
de26b9ab53820c77074f765fc93af9b8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=6401" target="_blank" rel="noopener">http://blogs.eciad.ca/elizabethmackenzie/?page_id=6401</a>
<a href="http://www.elizabeth-mackenzie.com/" target="_blank" data-saferedirecturl="https://www.google.com/url?q=http://www.elizabeth-mackenzie.com&source=gmail&ust=1558724776144000&usg=AFQjCNFq3V1oVNx9mtQqbABDVatELWjR-Q" rel="noopener">http://www.elizabeth-<wbr />mackenzie.com</a>
<a href="https://vimeo.com/221027778" target="_blank" rel="noopener" title="Up and Down She Goes">https://vimeo.com/221027778</a>
<a href="https://vimeo.com/221026288" target="_blank" rel="noopener" title="Me First">https://vimeo.com/221026288</a>
Medium
drawing
installation
Location
The location of the interview
Vancouver
British Columbia
Canada
Artist Statement
<div class="entry-content">
<p>I’ve always been interested in exploring the tension between the role of the (female) artist and the demands of the everyday. My identity as an artist mother has informed my work for many years.</p>
<p>Even before I had a child of my own I considered how it might be possible to combine these roles within my 1984 installation, <a title="Taking Care (1984)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=6423"><em>Taking Care</em></a>.</p>
<p>Four years later, in 1988, I gave birth to my first child. When she was eight months old I installed <a title="Baby Food (1989)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=4739"><em>Baby Food</em></a> in <em>Mothers of Invention</em>, a group exhibition about mothers and daughters curated by Jo-Anna Isaak. This piece describes my anxiety about my ability to nourish my daughter, as I struggled with both breast-feeding and art making.</p>
<p>The installation <a title="With Child (1991)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=6481"><em>With Child</em></a>, produced in 1991 for <em>The Embodied Viewer,</em> a group show curated by Vera Lemecha for the Glenbow Museum in Calgary, portrays some of the conflicts of over-identification and self‑immolation that were raised for me within the dyads of pregnancy and maternity. I was fearful that my child had become, even before birth, an autonomous creature I would never be able to encompass and keep safe. This combination of images on a long wall produced an impossible representation that had become increasingly normalized: we were able to see a pregnant body as well as what is inside the body. Although I was thrilled to become a mother, I was horrified by the loss of boundaries I experienced. Both my body and my psychic space were invaded.</p>
<p>In 1991 I also began graduate studies at the University of Saskatchewan. I wanted to review my 10-year practice as an artist as well as continue to investigate representations of pregnancy. The thesis I developed, <em>Spacemen and Invisible Women</em>, examined popular representations of pregnancy that obliterated the pregnant woman, and represented the fetus (or embryo) as a tiny self‑sufficient space traveler, floating in a black void. My 1993 graduating exhibition, <a title="Invisible/Stranger/Mine (1993)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=6491"><em>Invisible/Stranger/Mine</em></a>, examined maternal erasure and the cult of fetal personhood within a number of related works.</p>
<p>The installation <a title="Radiant Monster (1996-98)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=1190"><em>Radiant Monster</em></a>, completed in 1996, was shown in a number of different contexts. Once again, this work represented the ambivalent feelings I experienced in response to real and imagined pregnancies and children. I wanted to express a continuum between the desire and the anxiety that the contemplation and experience of maternity evokes. Not surprisingly, reproductive technologies that offer new choices to infertile women, and increase the opportunity for interventions during pregnancy and birth, extend and exaggerate our relationship to our reproductive capacities.</p>
<div>
<p>From 1997 to 1999 I co-wrote a series of bimonthly columns with Martha Townsend for the Mentoring Artists for Women’s Art (MAWA) newsletter (here’s a <a href="http://blogs.eciad.ca/elizabethmackenzie/files/2014/11/FPP-Artist-Mothers-March-1998.pdf">sample column</a> from March 1998).</p>
<p><span>I produced a number of videos about maternity during this period, including </span><i>Up and Down She Goes</i><span> (1998) and </span><i>Me First </i><span>(1999).</span><br /><br />In 2000 Martha and I co-produced a conference for artist-mothers, <em><a title="First Person Plural Symposium (2000)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=246">First Person Plural</a></em> for MAWA at the Winnipeg Art Gallery in Winnipeg. I co-curated an program of videos for the conference, <a href="http://blogs.eciad.ca/elizabethmackenzie/files/2014/11/LfT.pdf">Looking for Trouble: Tapes by Unruly Mothers </a>with Laurel Swenson, that was also shown at Video Out (Vancouver) in 2000. I also produced a video document, <em><a href="https://vimeo.com/221017621#t=40s">Delivery: Artist Mothers on Tape</a>, </em>in which 30 conference participants speak candidly about their mothering and art-making practices.</p>
<p>Essays where I consider my identity as an artist mother have been included in <a href="http://demeterpress.org/books/mothering-canada-interdisciplinary-voices/">Mothering Canada: Interdisciplinary Voices</a> (2010) and <a href="http://www.ashgate.com/isbn/9781409426134">Reconciling Art and Mothering</a> (2012).</p>
<p>A collection of resources (articles, books, websites) specifically about artist-mothers can be found <a title="Artist-Mother Resources" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=6513">here</a>.</p>
<p>Here’s a <a href="http://blogs.eciad.ca/elizabethmackenzie/?p=6499">post</a> about a presentation I developed for a conference in 2015 (<em>Embody/In My Body</em>), as well as a video of the presentation itself (“Exquisite Tension”) available <a href="https://vimeo.com/125696100">here.</a></p>
<p>Although I haven’t made work specifically about maternity for some time, my current projects continue to be deeply affected by these investigations and what I discovered about inter-subjectivity within my role as an artist mother.</p>
<div> </div>
</div>
</div>
<div class="comments-area"> </div>
Topic
motherhood
artist/mother
identity
breastfeeding
food
pregnancy
ambivalence
desire
anxiety
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elizabeth MacKenzie
ambivalence
baby food
breastfeeding
British Columbia
Canada
feeding
food
motherhood
motherhood and art practice
pregnancy
Vancouver
-
https://www.artistparentindex.com/files/original/631a72a9754073a805c4c293b6af6341.jpeg
91538a2646b6de5073782f4583997809
Dublin Core
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Title
A name given to the resource
Fontana di Trevi, 2016
Description
An account of the resource
My point of departure is based on my physical awareness. The vanishing necessity to be physically present somewhere to act opens up a large window of questions, which I detect and elaborate in my work. The confrontation of the human body, its functions and its expressions in relation to society interests me the most. There is a displacement going on which I use for a redefinition of my own identity.
The female body, which undergoes complex transformations, is still under the public spotlight when it comes to a justification of professional interests. Why should it be intellectually less valuable to talk about pregnancy in a theoretical context when a woman is also pregnant at the same time? This doubt still unmasks the western belief in the dichotomy of mind and body and its gender classification. I am well aware of the risks of subjectivity, yet I think that personal drives can lead to splendid creations and discoveries. For me as an artist, life and art are closely related and they interchange their influences. The division between an in- and an out-side, a private and a public, is constantly going through an osmotic transition.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.barbaraphilipp.com" target="_blank">www.barbaraphilipp.com</a>
<a href="http://www.mbassyunlimited.org/008-barbara-philipp/" target="_blank">http://www.mbassyunlimited.org/008-barbara-philipp/</a>
Medium
performance art
video art
artists' books
drawing
painting
Location
The location of the interview
Amsterdam
Netherlands
Artist Statement
My point of departure is based on my physical awareness. The vanishing necessity to be physically present somewhere to act opens up a large window of questions, which I detect and elaborate in my work. The confrontation of the human body, its functions and its expressions in relation to society interests me the most. There is a displacement going on which I use for a redefinition of my own identity. The female body, which undergoes complex transformations, is still under the public spotlight when it comes to a justification of professional interests. Why should it be intellectually less valuable to talk about pregnancy in a theoretical context when a woman is also pregnant at the same time? This doubt still unmasks the western belief in the dichotomy of mind and body and its gender classification. I am well aware of the risks of subjectivity, yet I think that personal drives can lead to splendid creations and discoveries. For me as an artist, life and art are closely related and they interchange their influences. The division between an in- and an out-side, a private and a public, is constantly going through an osmotic transition.<br /><br /><br />
Topic
body
female body
identity
pregnancy
breastfeeding
motherhood
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Barbara Philipp
Amsterdam
artists books
body
breastfeeding
drawing
female body
identity
maternal body
Netherlands
painting
performance art
video art
-
https://www.artistparentindex.com/files/original/41359d6020ba7ba9c7678d748b8a9b90.jpg
4a7bfa4f6a70f2314ae67083f4409299
Dublin Core
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Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Website
<a href="http://www.wellesley.edu/event/node/81611" target="_blank">http://www.wellesley.edu/event/node/81611</a>
Gallery
Jewett Art Center Art Sculpture Court
Location
The location of the interview
Wellesley
Norfolk County
Massachusetts
Curator
Anna Ogier-Bloomer
Curatorial Statement
<p>Guests are invited to celebrate the opening of the exhibition <em>An Intimate Portrait of Motherhood </em>with a reception on Tuesday, March 1 at 4:00 PM. Both the reception and the exhibition are free and open to the public.</p>
<p>This exhibition forces the viewer to confront the sensual, intimate nature of breastfeeding and the physical mother-child relationship. Through photography and video, these two artists use the lens to examine and cope with the physical, emotional and mental complexities of the mother’s body. Katie Doyle’s work gives the audience a vantage point so close they feel as if they’re seeing from inside her, while her son suckles and consumes milk or entangles his soft limbs in hers. Ogier-Bloomer’s photographs utilize a frank, unapologetic voice shared between image-maker and subject: whether she appears in the image with her daughter, her mother, or from behind the camera. Both artists examine this unique maternal communication based in touch—a language without words, rooted in biology and the senses.</p>
<p>Raised in Cincinnati, Ohio, Anna Ogier-Bloomer holds an MFA in Photography & Related Media from Parsons School of Design, where she was awarded the Photography Department Prize in 2011. Shereceived her BFA from The School of The Museum of Fine Arts, Boston, where she was the recipient of the Yousuf Karsh Prize in Photography and a Dean's Travel Grant. Ogier-Bloomer has exhibited at galleries and museums nationally, including the Bridge Art Fair in Miami/Basel, The Contemporary Art Center in Cincinnati, The Museum of Fine Arts, Boston, and at the Attleboro Arts Museum in Massachusetts. She has received grants from Chashama in New York, the School of the Museum of Fine Arts, Boston, and CSArts Cincinnati. Anna has been an adjunct Assistant Professor at the City University of New York. She currently lives in New York City and travels often for her work.</p>
- See more at: <a href="http://www.wellesley.edu/event/node/81611#sthash.V6lNZjEu.dpuf" target="_blank">http://www.wellesley.edu/event/node/81611#sthash.V6lNZjEu.dpuf</a>
Artists
Katie Doyle
<a href="http://artistparentindex.com/items/show/163" target="_blank">Anna Ogier-Bloomer</a>
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
February 29 – April 1, 2016
Topic
breastfeeding
mother/child relationship
mother's body
maternal
motherhood
maternal body
touch
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
An Intimate Portrait of Motherhood
breastfeeding
breastmilk
Massachusetts
maternal body
mother
mother's body
mother/daughter relationship
motherhood
photography
photography and motherhood
touch
Wellesley
-
https://www.artistparentindex.com/files/original/7e3bf147c7111679f471468db86b77ef.png
352c2cb13b23a4bf5f7c963ea01fcca9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
copyright Grace Acton Roberts
Description
An account of the resource
copyright Grace Acton Roberts
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.graceacton.com/" target="_blank">http://www.graceacton.com/</a>
<a href="http://www.graceacton.com/cry-over-spilt-milk.html" target="_blank">http://www.graceacton.com/cry-over-spilt-milk.html</a>
Medium
mixed media
Artist Statement
<span>Grace Acton Roberts has a background in visual arts having trained as a visual artist at Keele University. On leaving university she co-curated the first UK Gypsy, Roma, Traveller art exhibition, Second Site, at the Stephen Lawrence Gallery, Greenwich, which went on successfully to secure Arts Council, England funding to commission new works and tour around England in 2006.<br /><br />She subsequently worked for a number of multidisciplinary arts organisations including Metal Culture Ltd, providing project, events and finance management. In 2011, whilst at Metal, she organised Showflat, a series of site-specific exhibitions in artists’ homes and its accompanying publication. Since 2011 she has been the coordinator for the visual arts programme at Greenbelt Festival, exhibiting artists such as Willie Williams, Anthony Green RA, Simone Lia, Michael Leunig, Nicola Green, Sokari Douglas Camp CBE, Guler Ates, Hollie McNish, Nicola Canavan and Sinéad Bligh. She currently works for Applecartlive Ltd, a Storytelling, film and theatre production company based in East London. In 2015 she completed her MA in Curating and Collections at Chelsea School of Art, UAL, h</span><span>er research interests centre on feminist maternal art practice and curating the personal.</span>
Topic
motherhood
breastfeeding
mother/child relationship
feminism
maternal art
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Grace Acton Roberts
Rights
Information about rights held in and over the resource
Artist retains copyright to image
breast milk
breastfeeding
feminism
mother
mother/child relationship
motherhood
-
https://www.artistparentindex.com/files/original/3a7d5122e78baa44716f5bbebf551b4e.jpg
2736f3f140888a8ec399cf6a11e721cb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.annaogierbloomer.com" target="_blank" rel="noopener">annaogierbloomer.com</a>
Topic
motherhood
family
breastfeeding
Medium
photography
Artist Statement
This work, made during the first two years of my new role as mother,demonstratesthe complexityof doing the most difficult yet most meaningful work I’d ever done. The physical act of motherhood begins at conception and continues to evolve through a child’s life. Here, I turnmy lens on these physical elements: pain on the surface of the skin, illness, emotional outpouring of love and distress, the engorgement of the breast. These things simultaneously bring excruciating physical pain and unparalleled emotional joy. Through images of my own mother, I attach a thread from one generation to the next. I confront the complexity of these seemingly contradictory states of being, and the ways in which women feel the pull of motherhood, their children, and their physical self and appearance in a way unlike anything or anyone else.
Location
The location of the interview
New York
USA
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Anna Ogier-Bloomer
Title
A name given to the resource
Anna Ogier-Bloomer
breastfeeding
family
lactation
motherhood
New York
pain
photography
United States
-
https://www.artistparentindex.com/files/original/22d139469c1bd399d13e92d16bfec2f6.jpg
e6bfa9bd4b4db2182d5b1b640f67a8d7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Event Type
Gallery
Exhibition Website
<a href="https://womanmade.org/" target="_blank" rel="noreferrer">https://womanmade.org/</a>
Gallery
Woman Made Gallery
Curator
<a href="http://artistparentindex.com/items/show/47" target="_blank" rel="noreferrer">Rachel Epp Buller</a>
Curatorial Statement
<span>“Mothers” includes moving works by 37 women addressing the culturally ubiquitous role of motherhood, historically under-represented in visual art. The artists utilize a wide range of media, from photography, video, 3D, and even frosted cakes. The artists’ individual and sometimes intensely personal approaches to the subject of motherhood vary as much as their media. The work speaks to personal experiences (as a mother or as related to a mother), social constructions of motherhood, the balance of home and work, the politicization of mothers, pregnancy, breastfeeding, childbirth, bodily transformation, miscarriage, loss, and fertility/infertility. Artists are using materials traditionally found in domestic settings including clothes pins, canning jars, and yarn. Others use iconic imagery such as the Madonna and child.</span>
Location
The location of the interview
Chicago
Illinois
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
November 5 to December 23, 2010
Topic
motherhood
domesticity
politicization of mothers
pregnancy
breastfeeding
childbirth
bodily transformation
miscarriage
loss
fertility
infertility
Artists
Jjenna Hupp Andrews
Kiki Augustin
Melissa Ayotte
Linda L. Bacon
Adrian Baker
Shaun Bangert
Kristy Battani
Jolene Beckman
Cat Del Buono
Corinna Button
<a href="http://artistparentindex.com/items/show/199" target="_blank" rel="noreferrer">Myrel Chernick</a>
Barbara Diener
Sheila A. Donovan
Joy Christiansen Erb
Niki Grangruth
Luba Grenader
Kate Hansen
Kelly Harrington
Katherine Michele Hatchell
Judith Hladik-Voss
Phyllis Hofman
Lea Basile Lazarus
Stephanie Lerma
Melanie Lowrance
Elaine Luther
Julie Mader-Meersman
Jennifer McNichols
Maggie Meiners
Freyda Miller
Helen Payne
Nancy Roberts
Jaleesa Rosario
Sarah Rust Sampedro
Amanda Simons
Colette Veasey-Cullors
Lisa Venditelli
Ellen Wetmore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mothers
bodily transformation
breastfeeding
childbirth
domesticity
fertility
infertility
loss
miscarriage
motherhood
politicization of mothers
pregnancy
-
https://www.artistparentindex.com/files/original/dee2271c94009f18beaea547d71907e0.png
4c78093e9d30b35f2dda3f8582de3eed
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://maternalecologies.ca/" target="_blank" rel="noopener">maternalecologies.ca</a>
Medium
performance
video art
Location
The location of the interview
Edmonton
Alberta
Canada
Artist Statement
Maternal Ecologies uses the frame of performance to recast the daily practices of early motherhood. For 3 years I reflected on, inhabited, and researched my experience of early maternal life through the FLUXUS-inspired format of the instruction piece. Year 1, Action A Day (Maternal Prescriptions) was performed for 84 consecutive days. Year 2, Action A Day (Inhabiting Firsts) was performed for 210 consecutive days. Year 3, Action A Day (Gone/There) was performed for 84 consecutive days. The project ended when my son turned 3.
Topic
daily practice
motherhood
Fluxus
documentation
art and research
infants
infant care
breastfeeding
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://artistparentindex.com/items/show/64" target="_blank" rel="noopener">New Maternalisms - Chile</a>
<a href="http://artistparentindex.com/items/show/65" target="_blank" rel="noopener">New Maternalisms - Toronto</a>
Publications
A catalog or monograph published by the artist
<a href="http://www.artistparentindex.com/items/show/463">The Maternal in Creative Work Intergenerational Discussions on Motherhood and Art , Contributor</a>
Dublin Core
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Title
A name given to the resource
Natalie Loveless
Alberta
breastfeeding
Canada
curator
daily practice
documentation
Edmonton
infant care
motherhood
research
research and art
-
https://www.artistparentindex.com/files/original/46f6b7765a42c0c3af549ebd6c995230.jpg
2d4792beebf077c0316010b3a76b43dd
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.artlist.cz/katerina-olivova-108635/" target="_blank">http://www.artlist.cz/katerina-olivova-108635/</a>
<a href="https://vimeo.com/user2505168" target="_blank">https://vimeo.com/user2505168</a>
Topic
motherhood
breastfeeding
activism
family
child as artist
Medium
performance art
video art
activism
texts
Location
The location of the interview
Brno
Czech Republic
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Kateřina Olivová
Title
A name given to the resource
Kateřina Olivová
activism
breastfeeding
child as artist
family
motherhood
performance art
text
video art
-
https://www.artistparentindex.com/files/original/f45a30a2bf49947ced4c710cb090de9c.jpg
872724fec44356adf0bea0f68899b278
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://balance.ddtr.net/" target="_blank" rel="noopener">http://balance.ddtr.net/</a>
<a href="https://www.ashgate.com/default.aspx?page=637&calcTitle=1&isbn=9781409426134&lang=cy-GB" target="_blank" rel="noopener">Reconciling Art and Mothering - Book</a>
Medium
writing
curating
printmaking
book arts
Location
The location of the interview
Bethel College
Kansas
United States
Artist Statement
<div><span>Dr. Rachel Epp Buller is a feminist-art historian-printmaker-book artist-professor-mother of three whose art and scholarship speak to these intersections. In her dual practice of critical and creative work, she turns to writing, making, and curating to increase the visibility of issues around motherhood, care work, and the maternal body. Her maternal writing includes books - </span><em>Reconciling Art and Mothering, Mothering Mennonite, </em><span>and </span><em>Have Milk, Will Travel: Adventures in Breastfeeding - </em><span>and essays in </span><em>n.paradoxa, Journal of the Motherhood Initiative, Studies in the Maternal,</em><span> and in many edited collections. Her recent prints and artist books explore family identities, shared knowledge, imagined histories, and textual references to traditions of fine handwork passed on between generations of women. As a professor at a liberal arts college, she values collaboration in many forms and frequently works with colleagues across disciplinary boundaries. </span></div>
<div><span> </span></div>
Topic
maternal body
shifting identities
care work
breastfeeding
parent-child collaboration
maternal collaboration
familial heritage
handwork traditions
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/452">Extended Self: Transformations and Connections</a>
Publications
A catalog or monograph published by the artist
<a href="http://www.artistparentindex.com/items/show/463">The Maternal in Creative Work Intergenerational Discussions on Motherhood and Art, Contributor</a>
Dublin Core
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Title
A name given to the resource
Rachel Epp Buller
bookarts
breastfeeding
care taking
care work
curating
familial heritage
handwork traditions
maternal body
maternal collaboration
parent/child collaboration
parent/child relationships
printmaking
shifting identities
writing
-
https://www.artistparentindex.com/files/original/4996ea76f895bc842db66bfbf00b4ad9.jpg
608bef1ce965d9e29729ab139126cccf
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://alvarezerrecalde.com/" target="_blank">http://alvarezerrecalde.com/</a>
Medium
photography
Location
The location of the interview
Barcelona
Spain
Artist Statement
"Themes inspired by my personal experiences such as vital cycles, birth, motherhood, illness, immigration, ageing and death are found throughout my body of work. I create images that become a document of our love, our fears and our conquests.
My artwork is a contemporary social commentary through which I like to challenge the singular story that has been told and reinforced as a way of normalizing roles and attitudes. I cherish plurality and my way of doing so is to contribute images and testimonies that expands perspective and the constricted existing imagery.
Within a common experience like expecting a child or the passing away of a parent, we find transcendental truth. Art has the potential of transmitting that emotion to confront our daily numbness with something that is authentically substantial and profound.
I believe that there is a manipulative and deliberate lack of information that hinders the understanding of just how empowering and transformative motherhood can be. I cherish plurality and my way of contributing is to share my experiences in order to expand the constrained social imagery.
In "Birth of My Daughter", a self-portrait while giving birth, I take off my "cultural" veil. My maternity is not virginal or aseptic. I am the archetype of the primal woman, the woman beast that has nothing prohibited. I show a maternity not seen through the eyes of Eve (the divine punishment "you will give birth with the pain of your body"), but seen through the eyes of Lucy (the earliest hominid found to date). These photographs can help others rethink the idea of the fragile, painful, out of control and overly medicated birth that is considered the norm in many countries.
How I relate to nudity and blood is a mirror of my fascination with life. I am accepting of my changing body, amazed with how my children grow, and intrigued by the aging process. The blood and nudity seen within the context of my artwork is linked to authenticity and undiluted sensuality. I create images that become a document of our love, our fears and our conquests."
<a href="http://imowblog.blogspot.com.es/2014/01/in-conversation-with-ana-alvarez.html" target="_blank">Interview with Her Blue Print</a>
<a href="http://flicmagazine.com/mag/en/2014/07/ana-alvarez-errecalde/" target="_blank">Interview with Flic Magazine</a>
Topic
motherhood
birth
postpartum body
aging
daughter
breastfeeding
Dublin Core
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Title
A name given to the resource
Ana Álvarez-Errecalde
aging
Barcelona
birth
breastfeeding
daughter
motherhood
postpartum body
pregnancy
Spain
-
https://www.artistparentindex.com/files/original/6794a54d47b40f9564dbb0587ef406f9.jpg
96fd74ca1010683c04717109bdab20dd
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.jillmiller.net/" target="_blank" rel="noopener">http://www.jillmiller.net/</a>
Medium
social practice
Location
The location of the interview
California
Artist Statement
I have initiated a collection of new works enabled by the constraints and commitment of motherhood. More specifically, I am exploring the practice of homeschooling as a lens for this work. To more authentically experience and create these works I have undertaken a six month study into my own own “homeschooling” with my seven-year-old son. Using our domestic quarters as a backdrop, and my son as a instigator and collaborator, I’ve created an ongoing body of work that examines family constructs, the maternal-child relationship, and the ways that an artist can consider parenthood as a locus for creativity rather than a distraction or an obstacle in the career path.
Topic
homeschooling
breastfeeding
public breastfeeding
lactation
nursing mothers
motherhood
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://artistparentindex.com/items/show/4" target="_blank" rel="noopener">Complicated Labors</a>
New Maternalisms
<a href="http://www.artistparentindex.com/items/show/391" target="_blank" rel="noopener">Care and Feeding: The Art of Parenthood, Palo Alto Art Center, 2018</a>
Dublin Core
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Title
A name given to the resource
Jill Miller
breastfeeding
California
homeschooling
lactation
milk truck
motherhood
nursing mothers
social practice
-
https://www.artistparentindex.com/files/original/c8985d8733ed1785134802987e034672.jpg
3e87e4559930086e8c61f3f9fd23b54a
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://annakell.com/section/396317_DRAWING.html" target="_blank">http://annakell.com/section/396317_DRAWING.html</a>
Medium
Graphite on paper
Location
The location of the interview
New York City
New York
Topic
breastfeeding
motherhood
portrait
newborn
son
nursing mother
Dublin Core
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Title
A name given to the resource
Anna Kell
breastfeeding
New York
newborn
nursing mothers
portrait
son
-
https://www.artistparentindex.com/files/original/2be907ab5fd400f44f557811e36f570a.png
d141e17537285e4f0ef5f62883922748
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.sarahsudhoff.com/home" target="_blank" rel="noopener">http://www.sarahsudhoff.com/home</a>
Medium
peformance art
photography
video
Topic
breastfeeding
motherhood
postpartum body
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/398" target="_blank" rel="noopener">Unveiled, CPAC, Denver, Colorado</a>
Dublin Core
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Title
A name given to the resource
Sarah Sudhoff
breastfeeding
motherhood
performance art
photography
postpartum body
video art
-
https://www.artistparentindex.com/files/original/0a55fbeef0204c027f84971272ef3cf3.png
c41cf92753227ddba10ed464722ec779
Dublin Core
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Title
A name given to the resource
Artist Parent Organization Database
Service
An organization supporting artist parents.
Topic
artist network
blog
curating
zine
art prize
Mother House
studio collective
interdisciplinary
online gallery
About
ProCreate Project is a platform aiming to provide practical help and financial support for artists, enabling them to continue producing work during We aim to help artists build and combine their new existence as mothers with their practice. <br />Mission <br />– Build a platform that can provide practical help and financial support for artists and help artists build and combine their existence as mothers with their practice. <br />– Connect artists with the forefront of creative business, creating networks and links with relevant movements, scenes and diverse niche groups. <br />– Support, showcase and promote artist’s projects through on and off line events, activities and campaigns. <br />– Develop communities that encourage open discussions between mother-artists and audience. <br />– Provide space, facilities and drop-in childcare services to enable creative development.
Organization Website
<a href="http://www.procreateproject.com/" target="_blank">http://www.procreateproject.com/</a>
Organzation Director
Dyana Gravina
Dublin Core
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Title
A name given to the resource
ProCreate Project
artist network
blog
breastfeeding
pregnancy
-
https://www.artistparentindex.com/files/original/1a38eee3b1d8dd889e2b34fd1d3e1bb4.pdf
5475198bd74288b4e1635548c1682c5d
Dublin Core
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Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
January 30 - March 12, 2016
Curator
Amber Berson
Juliana Driever
Artists
<a href="http://artistparentindex.com/items/show/143">Dillon de Give</a>
Home Affairs
Jacqueline Hoàng Nguyễn
Leisure (Meredith Carruthers & Susannah Wesley)
Lise Haller Baggesen
LoVid
Shane Aslan Selzer
Gallery
EFA Project Space
Curatorial Statement
The Let Down Reflex is an exhibition that attempts to recognize the complexities of parenting in the art world, and asks if a better alternative for families can exist. Calling out a slippage in today’s feminist art world, the curators summon a group of artist-parents to contribute to a springboard for re-imagining an art world where “Mom” is not a demeaning characterization, where childcare is factored in for participating artists at art spaces, and where artists aren’t forced to choose between home and work because of a lack of parental leave. The “let down reflex,” a term referencing the involuntary reflex that causes nursing mothers to produce breast milk, takes on a double meaning in this exhibition, referring here to the reflexive tendency of letting down parents, and particularly mothers, within the flawed labor system of the art world.
Topic
fair wages
art world
parenthood
Exhibition Website
<a href="http://www.projectspace-efanyc.org/the-let-down-reflex/" target="_blank">http://www.projectspace-efanyc.org/the-let-down-reflex/</a>
Dublin Core
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Title
A name given to the resource
The Letdown Reflex
art world
breastfeeding
childcare
fair wages
families
let down reflex
New York
nursing mothers
parental leave
-
https://www.artistparentindex.com/files/original/e575810d53cff883fcfc893f9f4a28fa.jpg
727957a8a37e50bb7e9552c2990475b1
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://meganwynne.net/work/motherhood/photography" target="_blank" rel="noopener noreferrer">http://meganwynne.net/work/motherhood/photography</a>
Medium
photography
Topics
The topics addressed within the Artist's work.
bed sharing
breastfeeding
motherhood
parenthood
domestic space
personal boundaries
Location
The location of the interview
Norfolk
Virginia
Artist Statement
My recent work focuses on the subject of myself and my daughters to speak about the intensity, intimacy, and interdependence of motherhood. Playing with the persona of the mother and the mother-as-artist, the work brings up uncomfortable questions about identity, autonomy, and childrearing.
The images are at once familiar and unfamiliar, inviting and repelling. The work often straddles the line between referencing the family snapshot and cold clinical documentation. There is also ambiguity in how the individuals in the scene are emotionally and physically relating to each other. This uncertainty helps to create a sense of surreality in the work, and dark humor and melodrama within the narrative further push this aspect of the imagery. I use these devices to reflect on the deeply mysterious, contradictory, and often unknowable psychological undercurrent beneath everyday experiences of interconnection.
The mother-child relationship is the most primary and foundational relationship in one's life. In addition, there is a deep transgenerational legacy of the mother-child dynamic, in which beliefs, behaviors, and past traumas haunt one generation to the next. In my work I explore my maternal inheritance, as I address the intensity and profound complexity of the bond I have with my children. These depictions of the maternal experience challenge dominant reductive and over-sentimentalized representations of motherhood, as well as idealized and over-simplified perspectives on childhood.
Topic
motherhood
bedsharing
domestic space
breastfeeding
personal boundaries
Artist Residency in Motherhood
birth
childbirth
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/404" target="_blank" rel="noopener">The M Word, One Paved Court Gallery, 1 – 12 May 2019</a>
Dublin Core
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Title
A name given to the resource
Megan Wynne
bedsharing
birth
breastfeeding
childbirth
domestic space
lactation
motherhood
photograph
photography and motherhood
pregnancy
United States
Virginia
-
https://www.artistparentindex.com/files/original/49ed2d09c8f7d03c18a5a48f4845163d.jpg
455a2d6a5c744c18099bc4e5f0bcac11
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.sarahirvinart.com" target="_blank" rel="noopener">www.sarahirvinart.com</a>
Biographical Text
When I started my graduate program in 2013, I was confident that becoming a mother was not compatible with my studio practice. In the middle of my first semester, I began to question this assumption. As an experiment, I assumed the opposite was true, that there was work that I could only make if I was a mother. I was suddenly able to envision not only the work, but also myself in the role of “mother” for the first time. Three months later I was pregnant and I got to work. Creating in this way allows me to form myself in a role of “mother” and in turn motherhood continually redefines my practice. The work opens up dialogues about circumstances that are publicly debated, but only privately experienced.
I measured my stomach with a piece of yarn at navel height the day I found out I was pregnant. I tied the yarn off in a loop. I repeated this every day until the day I went into labor. Every week of the second trimester, I lifted 26 pounds, one pound over the recommended amount a pregnant woman should lift, using a block and tackle pulley system and created a transfer drawing with the impact when it was dropped from nine feet.
I established mechanisms to capture the physical actions of parenting as a mark on a page, beginning while I was in labor. For instance, the area rug in the nursery created transfer drawings as we walked across the room, the glider rocker created drawings as we rocked, and the stroller created drawings as we strolled. These works were enabled by the activities of our daily lives and captured the kinetic energy and labor involved in the care and nurturing of an infant.
During the second and third months of my daughter’s life, I created a series of watercolors exclusively while she slept, with each set considered complete when she awoke, allowing my circumstances to dictate aspects of my creative output. While breastfeeding, I made drawings on paper I created from my bed sheets with looping marks corresponding to individual suck and swallow motions of nursing providing a real-time read out of this experience. I commissioned a reproduction of the plastic measuring scoop that comes in a container of Similac infant formula to be cast from silver baby spoons.
Other iterations of this series include my daughter’s nursery as camera obscura; cyanotypes created with her blankets, toys and clothing; early stages of her own mark-making captured through fingerprint dust; silverpoint drawings tracing her early movements made with jewelry from my grandmother; and paintings made with a baby bottle and formula. As a whole, this project-based work is a personal narrative taking form as poetic visual data.
The works are exhibited as sets and series. An entire year’s action of rocking a baby is a set of 59 drawings made with our rocking chair. One year of walking across a nursery rug is a row of 12 large transfer drawings. Fifty feet of watercolors represent a tiny sampling of the available time during early parenthood when the baby slept. The work visualizes how care taking has shaped me as an individual and how it has transformed my mark making.
I view everything related to the experience of parenthood as a valid subject matter and/or mark making tool and this has opened up new methods of creating. The pieces are derived from the everyday. The interface of specific materials and processes with the everyday provides an entry point into broader topics of gender, production, reproduction, care, biological processes and cultural systems.
Medium
painting
drawing
papermaking
video art
photography
installation
Topics
The topics addressed within the Artist's work.
motherhood
parenthood
breastfeeding
infants and sleep
pregnancy
Location
The location of the interview
Richmond
Virginia
Topic
breastfeeding
motherhood
infants and sleep
pregnancy
baby formula
caretaking
gender and caretaking
domestic labor
maternal ambivalence
Artist Residency in Motherhood
gender equality
home
domestic space
care work
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/274" target="_blank" rel="noopener">Labors</a>
<a href="http://www.artistparentindex.com/items/show/392">The End & The Beginning</a>
<a href="http://www.artistparentindex.com/items/show/452">Extended Self: Transformations and Connections</a>
<a href="http://www.artistparentindex.com/items/show/495">Painting at Night, Fort Houston Gallery, Nashville, TN</a>
Dublin Core
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Title
A name given to the resource
Sarah Irvin
ambivalence
body
breastfeeding
care work
domestic labor
domestic space
drawing
gender
gender equality
home
infant care
labor
maternal abivalence
maternal body
maternal time
motherhood
mothering
painting
paper
papermaking
repetition
repetitive tasks
ritual
tracking
video