1
300
11
-
https://www.artistparentindex.com/files/original/6bb2e1291d6d97f55b95215dc55ca471.jpeg
e64733c4c2f74f7168d91059c7fc1266
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<p class="p1"><a href="http://www.jessdobkin.com" target="_blank" rel="noopener">jessdobkin.com</a></p>
Medium
performance
social practice
Location
The location of the interview
Toronto
Canada
Artist Statement
<p class="p1">I’ve been a working artist, curator, community activist and teacher for more than 25 years, creating and producing intimate solo performances, large-scale public happenings, socially engaged interventions and performance art workshops and lectures. My practice extends across black boxes and white cubes, art fairs and subway stations, international festivals, and single bathroom stalls. I’ve operated an artist-run newsstand in a vacant subway station kiosk, a soup kitchen for artists, a breast milk tasting bar, and a performance festival hub for kids. I’m forever inspired by the rebel queers, renegade witches, and other dyke moms I run with, and bound to many brilliant artists, activists, spell-casters and healers. <span class="s1">For many years I made performances that drew from my own experiences of trauma and transformation, intimacy and motherhood. More recently, I’ve experienced a shift in my practice, where my attention has turned to wider theoretical questions about the nature of performance itself to </span>ask questions about when, where, how we perform - in theatres and galleries, on social media, and in our everyday lives.</p>
Topic
abjection
activism
adulthood
aging
archive
art
art and research
artist mother
art making
artist parent
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal body
maternal bodies
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist identity
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood and political context
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
subjectivity
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mothers
single mother
social justice
social practice
stories
storytelling
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women's health
women's identity
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
The Lactation Station Breast Milk Bar 2006, 2012, 2016
Imagined Family Portraits 2007 - ongoing
Free Childcare Provided 2013
Fee for Service 2006
Being Green 2009
Dublin Core
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Title
A name given to the resource
Jess Dobkin
abjection
activism
adulthood
ageing
archive
art
art and research
art making
artist mother
artist parent
artist-parents
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
Care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal bodies
maternal body
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist
mother artist identity
mother artists
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and political context
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mother
single mothers
social justice
social practice
Stories
storytelling
subjectivity
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women’s health
women’s identity
-
https://www.artistparentindex.com/files/original/2f60962d5a9635b48c8ca6cdad6ec58d.jpg
390d87fde0b0b0d0e8554d66763aedcf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Organization Database
Service
An organization supporting artist parents.
Location
The location of the interview
Chicago
Illinois
USA
Topic
motherhood and art practice
curation
family accessible events
exhibitions
screenings
About
<i><span style="color: #666666;"><span><a href="http://extendedpractice.com/" target="_blank" rel="noopener noreferrer">Extended Practice</a> (EP) is an artist-led curatorial project focusing on creating family accessible events, exhibitions and screenings that </span><span>support and make visible the work and needs of artists who are also mothers. <br /><br />Sara Holwerda & Angela Lopez<br />Initiators, Curators and Organizers of Extended Practice<br /></span></span></i>
Organization Website
<a href="https://extendedpractice.com/home.html" target="_blank" rel="noopener"><span>extendedpractice.com </span></a>
<i><span style="color: #666666;"><span><a href="https://www.facebook.com/groups/298978550569088/" target="_blank" rel="noopener noreferrer">EP facebook group</a></span></span></i>
<i><span style="color: #666666;"><span><a href="https://www.facebook.com/ExtendedPractice/?ref=your_pages" target="_blank" rel="noopener noreferrer">EP facebook page</a></span></span></i>
<i><span style="color: #666666;"><a href="https://www.instagram.com/extended_practice/?hl=en" target="_blank" rel="noopener noreferrer">EP Instagram</a></span></i>
Organzation Director
Sara Holwerda
<a href="http://www.artistparentindex.com/items/show/324">Angela Lopez</a>
Exhibition
An exhibition in the index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/452">Extended Self: Transformations and Connections</a>
Dublin Core
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Title
A name given to the resource
Extended Practice
Chicago
curation
exhibitions
family accessible events
Illinois
motherhood and art practice
screenings
USA
-
https://www.artistparentindex.com/files/original/42edf00dd3aacce9773a762e3850155d.png
30d4adce039d7b38607913f3bf68094a
Dublin Core
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Title
A name given to the resource
Motherhood in the Art World cover
Dublin Core
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Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Author
Claudia Sandoval Romero
City of Publication
Vienna
Country of Publication
Austria
Date of Publication
2015
Topic
motherhood
art and mothering
art
visual culture
Dublin Core
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Title
A name given to the resource
Motherhood in the Art World
anna oppermann
annegret soltau
elaine reichek
ewa partum
faith ringgold
feministo
fina miralles
friedl kubelka vom groeller
gina pane
hackney flashers
helke sander
kirsten justesen
laura mulvey
lea lublin
louise bourgeois
mako idemitsu
maria evelia marmolejo
martha rosler
Mary Kelly
mierle laderman ukeles
mimi smith
mother artist
mother artists
motherhood
motherhood and art practice
motherhood and economic context
motherhood and social context
niki de saint phalle
ree morton
susan hiller
tina keane
ulrike rosenbach
ursula reuter christiansen
valie export
zorka saglova
-
https://www.artistparentindex.com/files/original/1693b1f271af2e2a633ab4d9110cbbb6.jpeg
913939f13cc15879269f52f417d024d4
Dublin Core
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Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Author
Andrea Liss
Publisher
University of Minnesota Press
City of Publication
Minneapolis
State of Publication
Minnesota
Country of Publication
United States
Date of Publication
January 12, 2009
ISBN 13
978-0816646234
ISBN 10
0816646236
Topic
feminism
art and mothering
maternal thinking
motherhood
Dublin Core
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Title
A name given to the resource
Feminist Art and the Maternal
feminism
feminist art
feminist art theory
maternal
mother artist
mother as artist
mother/artist identity
motherhood
motherhood and art practice
-
https://www.artistparentindex.com/files/original/fae9e90e935f1e6bfbc1f321dcc95260.jpg
5facc95c0db6ce0ffb7fe32c6aa4270a
Dublin Core
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Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Editor
Michi Jigarjian
Qiana Mestrich
Publisher
Secretary Press
City of Publication
New York
State of Publication
New York
Country of Publication
United States
Date of Publication
January 1, 2015
ISBN 13
978-0988321441
ISBN 10
0988321440
Topic
maternal thinking
motherhood
mother artists
art and mothering
visual culture
art
Dublin Core
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Title
A name given to the resource
How We Do Both: Art and Motherhood
art making
artist mothers
artist parents
mother artists
motherhood
motherhood and art practice
mothering
mothers
New York
visual culture
-
https://www.artistparentindex.com/files/original/0c2b7d439ff6fb3ab3dd2ea0ca9e2522.png
e714b9de3399f2603503397760c22e98
Dublin Core
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Title
A name given to the resource
Artist Parent Organization Database
Service
An organization supporting artist parents.
Location
The location of the interview
Edinburgh
Scotland
About
Spilt Milk is a not-for-profit arts organisation who support and promote the work of artist-mothers. Founded by Lauren McLaughlin, Spilt Milk is a curated platform showcasing the beautiful, exciting, diverse and groundbreaking artwork being produced by International female artists who are practicing art alongside raising children. As well as providing opportunities for artists to exhibit work, gain exposure and sell work, we are also creating links with flexible/affordable childcare models in Scotland and the rest of the UK in order to make it easier for artists with children to create new work and sustain their careers. We aim to facilitate an exciting programme of exhibitions, events and workshops which will create a supportive and collaborative community for female artists and their children to fully engage with the contemporary art world.
Organization Website
<a href="https://www.spiltmilkgallery.com/" target="_blank">https://www.spiltmilkgallery.com/</a>
Organzation Director
Lauren McLaughlin
Topic
childcare
non-profit
gallery
online gallery
Dublin Core
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Title
A name given to the resource
Spilt Milk Gallery
childcare
Edinburg
motherhood
motherhood and art practice
Scotland
-
https://www.artistparentindex.com/files/original/4790f609da5fcfa4e1754c4051f92d34.jpg
f49f68f87805dac0a5b293e2d004f6d8
Dublin Core
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Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Website
<a href="http://fazakasgallery.com/portfolio/she-i-la-group-exhibition/" target="_blank">http://fazakasgallery.com/portfolio/she-i-la-group-exhibition/</a>
Curator
LaTiesha Fazakas
Gallery
Fazakas Gallery
Curatorial Statement
An all-female group exhibition to coincide with International Women’s Day 2017, featuring work by both Indigenous and non-Indigenous multidisciplinary contemporary artists. This group of Vancouver-based artist mothers will be presenting a unique collective and heterogeneous artist talk on motherhood and art practice and the intersections between reproductive and artistic labour. The panel discussion, in the form of an informal dialogue, will elaborate a utopian model for a feminist, women-centred, sustainable creation process that integrates life and all of its chaos into a viable and valued way of being and creating without being marginalized by and excluded from the male-dominated art system.
Location
The location of the interview
Fazakas Gallery, 688 E Hastings St, Vancouver, Canada
Artists
Gabriela Aceves-Sepulveda
Matilda Aslizadeh
Jeneen Frei Njootli
Robyn Laba
Natasha McHardy
Yvonne Muinde
Joyce Ozier
Heather Passmore
Maria Anna Parolin
Rosa Quintana-Lillo
Sarah Shamash
prOphecy sun
Damla Tamer
Charlene Vickers
Carollyne Yardley
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
March 8, 2017
Topic
motherhood
Indigenous artists
pregnancy
reproduction
motherhood and art practice
artistic labor
Dublin Core
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Title
A name given to the resource
SHEILA: Women, Art, and Production
Contributor
An entity responsible for making contributions to the resource
Heather Passmore
artistic labor
Indigenous motherhood
motherhood
motherhood and art practice
pregnancy
reproduction
-
https://www.artistparentindex.com/files/original/c5640052daa5d505aaf01ef734de8512.jpg
de26b9ab53820c77074f765fc93af9b8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=6401" target="_blank" rel="noopener">http://blogs.eciad.ca/elizabethmackenzie/?page_id=6401</a>
<a href="http://www.elizabeth-mackenzie.com/" target="_blank" data-saferedirecturl="https://www.google.com/url?q=http://www.elizabeth-mackenzie.com&source=gmail&ust=1558724776144000&usg=AFQjCNFq3V1oVNx9mtQqbABDVatELWjR-Q" rel="noopener">http://www.elizabeth-<wbr />mackenzie.com</a>
<a href="https://vimeo.com/221027778" target="_blank" rel="noopener" title="Up and Down She Goes">https://vimeo.com/221027778</a>
<a href="https://vimeo.com/221026288" target="_blank" rel="noopener" title="Me First">https://vimeo.com/221026288</a>
Medium
drawing
installation
Location
The location of the interview
Vancouver
British Columbia
Canada
Artist Statement
<div class="entry-content">
<p>I’ve always been interested in exploring the tension between the role of the (female) artist and the demands of the everyday. My identity as an artist mother has informed my work for many years.</p>
<p>Even before I had a child of my own I considered how it might be possible to combine these roles within my 1984 installation, <a title="Taking Care (1984)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=6423"><em>Taking Care</em></a>.</p>
<p>Four years later, in 1988, I gave birth to my first child. When she was eight months old I installed <a title="Baby Food (1989)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=4739"><em>Baby Food</em></a> in <em>Mothers of Invention</em>, a group exhibition about mothers and daughters curated by Jo-Anna Isaak. This piece describes my anxiety about my ability to nourish my daughter, as I struggled with both breast-feeding and art making.</p>
<p>The installation <a title="With Child (1991)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=6481"><em>With Child</em></a>, produced in 1991 for <em>The Embodied Viewer,</em> a group show curated by Vera Lemecha for the Glenbow Museum in Calgary, portrays some of the conflicts of over-identification and self‑immolation that were raised for me within the dyads of pregnancy and maternity. I was fearful that my child had become, even before birth, an autonomous creature I would never be able to encompass and keep safe. This combination of images on a long wall produced an impossible representation that had become increasingly normalized: we were able to see a pregnant body as well as what is inside the body. Although I was thrilled to become a mother, I was horrified by the loss of boundaries I experienced. Both my body and my psychic space were invaded.</p>
<p>In 1991 I also began graduate studies at the University of Saskatchewan. I wanted to review my 10-year practice as an artist as well as continue to investigate representations of pregnancy. The thesis I developed, <em>Spacemen and Invisible Women</em>, examined popular representations of pregnancy that obliterated the pregnant woman, and represented the fetus (or embryo) as a tiny self‑sufficient space traveler, floating in a black void. My 1993 graduating exhibition, <a title="Invisible/Stranger/Mine (1993)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=6491"><em>Invisible/Stranger/Mine</em></a>, examined maternal erasure and the cult of fetal personhood within a number of related works.</p>
<p>The installation <a title="Radiant Monster (1996-98)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=1190"><em>Radiant Monster</em></a>, completed in 1996, was shown in a number of different contexts. Once again, this work represented the ambivalent feelings I experienced in response to real and imagined pregnancies and children. I wanted to express a continuum between the desire and the anxiety that the contemplation and experience of maternity evokes. Not surprisingly, reproductive technologies that offer new choices to infertile women, and increase the opportunity for interventions during pregnancy and birth, extend and exaggerate our relationship to our reproductive capacities.</p>
<div>
<p>From 1997 to 1999 I co-wrote a series of bimonthly columns with Martha Townsend for the Mentoring Artists for Women’s Art (MAWA) newsletter (here’s a <a href="http://blogs.eciad.ca/elizabethmackenzie/files/2014/11/FPP-Artist-Mothers-March-1998.pdf">sample column</a> from March 1998).</p>
<p><span>I produced a number of videos about maternity during this period, including </span><i>Up and Down She Goes</i><span> (1998) and </span><i>Me First </i><span>(1999).</span><br /><br />In 2000 Martha and I co-produced a conference for artist-mothers, <em><a title="First Person Plural Symposium (2000)" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=246">First Person Plural</a></em> for MAWA at the Winnipeg Art Gallery in Winnipeg. I co-curated an program of videos for the conference, <a href="http://blogs.eciad.ca/elizabethmackenzie/files/2014/11/LfT.pdf">Looking for Trouble: Tapes by Unruly Mothers </a>with Laurel Swenson, that was also shown at Video Out (Vancouver) in 2000. I also produced a video document, <em><a href="https://vimeo.com/221017621#t=40s">Delivery: Artist Mothers on Tape</a>, </em>in which 30 conference participants speak candidly about their mothering and art-making practices.</p>
<p>Essays where I consider my identity as an artist mother have been included in <a href="http://demeterpress.org/books/mothering-canada-interdisciplinary-voices/">Mothering Canada: Interdisciplinary Voices</a> (2010) and <a href="http://www.ashgate.com/isbn/9781409426134">Reconciling Art and Mothering</a> (2012).</p>
<p>A collection of resources (articles, books, websites) specifically about artist-mothers can be found <a title="Artist-Mother Resources" href="http://blogs.eciad.ca/elizabethmackenzie/?page_id=6513">here</a>.</p>
<p>Here’s a <a href="http://blogs.eciad.ca/elizabethmackenzie/?p=6499">post</a> about a presentation I developed for a conference in 2015 (<em>Embody/In My Body</em>), as well as a video of the presentation itself (“Exquisite Tension”) available <a href="https://vimeo.com/125696100">here.</a></p>
<p>Although I haven’t made work specifically about maternity for some time, my current projects continue to be deeply affected by these investigations and what I discovered about inter-subjectivity within my role as an artist mother.</p>
<div> </div>
</div>
</div>
<div class="comments-area"> </div>
Topic
motherhood
artist/mother
identity
breastfeeding
food
pregnancy
ambivalence
desire
anxiety
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elizabeth MacKenzie
ambivalence
baby food
breastfeeding
British Columbia
Canada
feeding
food
motherhood
motherhood and art practice
pregnancy
Vancouver
-
https://www.artistparentindex.com/files/original/6336856bbeb9657ba08b4d4b53e6a538.jpg
18e936bc0c096c17a7064b3adbf020b1
Dublin Core
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Description
An account of the resource
Decades of Dreaming of You 2012, hair embroidery on mother's (artist's) hair from gestation period, thread from unraveled pillowcase, 3 x 5 x 5". Text reads "Decades of Dreaming of You"
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.katekretz.com/work-by-series/#/new-gallery-2/" target="_blank">http://www.katekretz.com/work-by-series/#/new-gallery-2/</a>
Medium
sculpture
embroidery
hair
fiber
textile
Artist Statement
“I often experience news stories of inhumanity as a literal blow to my body, and carry the negative energy around with me until I process a way to remove it from my person through transformative creation. My work functions as a meditation, a healing prayer, a potent incantation to embed the finished object with as much power as possible, to rival the impact of that original negative impetus for making it. I am aiming for a beautiful, exquisitely-crafted gut punch.
I consider the inordinate amount of time invested in each piece as a gift given to the viewer. In this day and age, it often feels as though the earnest, cathectic things I make are an act of profound resistance: I give birth to the tactile as I am swallowed by the virtual. I obsess over craft as our world becomes disposable. I wield emotion in its messiness because it’s uncool. I work until my hands shake, because the world does not care.
I am banging my head against the wall, but the stain is beautiful.”
Topic
motherhood
gestation
motherhood and creative practice
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kate Kretz
embroidery
fiber
gestation
hair
longing
motherhood
motherhood and art practice
sculpture
textile
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https://www.artistparentindex.com/files/original/5f071837edc1072d48ab7f0abaaf9e0f.jpg
09988cf8e39d830c2860ae729adafa73
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.lenkaclayton.com/" target="_blank" rel="noopener">http://www.lenkaclayton.com/</a>
<a href="http://www.lenkaclayton.com/#/artist-residency-in-motherhood/" target="_blank" rel="noopener">Artist Residency in Motherhood</a>
Medium
conceptual art
video art
drawing
sculpture
performance art
Location
The location of the interview
Pittsburg
Pennsylvania
Artist Statement
<p>In 2012 I founded <a href="http://www.residencyinmotherhood.com/" target="_blank" rel="noopener">An Artist Residency in Motherhood</a> — a structured, fully-funded artist residency that takes place inside my own home and life as a mother of two young children.</p>
<p>Artist residencies are usually designed as a way to allow artists to escape from the routines and responsibilities of their everyday lives. An Artist Residency in Motherhood is different. Set firmly inside the traditionally “inhospitable” environment of a family home, it subverts the art-world’s romanticization of the unattached artist, and frames motherhood as a valuable site, rather than an invisible labour for exploration and artistic production.</p>
<p>As the first artist-in-resident-in-motherhood I aim to embrace the fragmented mental focus, exhaustion, nap-length studio time and countless distractions of parenthood as well as the absurd poetry of time spent with young children as my working materials and situation, rather than obstacles to be overcome.</p>
<p>The following works are amongst those made during my tenure as Artist-in-Residence-in-Motherhood;</p>
<p><a href="http://www.lenkaclayton.com/the-distance-i-can-be-from-my-son">The Distance I Can Be From My Son</a></p>
<p><a href="http://www.lenkaclayton.com/all-the-scissors-in-the-house-made-safer">All Scissors in the House Made Safer</a></p>
<p><a href="http://www.lenkaclayton.com/objects-from-my-sons-mouth">63 Objects from My Son's Mouth</a></p>
<p><a href="http://www.lenkaclayton.com/womens-intuition-hats">Women's Intuition (hats)</a></p>
<p><a href="http://www.lenkaclayton.com/moons-from-next-door">Moons From Next Door</a></p>
<p><a href="http://www.lenkaclayton.com/one-brown-shoe">One Brown Shoe</a></p>
<p>The project is archived in full at <a href="http://www.residencyinmotherhood.com/" target="_blank" rel="noopener">www.residencyinmotherhood.com.</a> On conclusion of my tenure in May, 2014 the project will be passed along to two new residents.</p>
<p>An Artist Residency in Motherhood was funded by the Robert C. Smith Fund and the Betsy R. Clark Fund of The Pittsburgh Foundation and a Sustainable Art Foundation Award, and supported in kind by Pittsburgh Filmmakers and Pittsburgh Center for Creative Reuse.An Artist Residency in Motherhood was exhibited at Pittsburgh Center for the Arts in 2012, and documents and works from the project are currently being exhibited in Complicated Labors at University of California Santa Cruz, curated by Irene Lusztig & Natalie Loveless until March 15th 2014.</p>
Topic
motherhood
motherhood and studio practice
studio time
mental focus
household safety
children and safety
care taking
choking hazards
children and independence
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://artistparentindex.com/items/show/4" target="_blank" rel="noopener">Complicated Labors</a>
New Maternalisms
<a href="http://www.artistparentindex.com/items/show/391" target="_blank" rel="noopener">Care and Feeding: The Art of Parenthood, Palo Alto Art Center, 2018</a>
<a href="http://www.artistparentindex.com/items/show/417" target="_blank" rel="noopener">Bodies of Work, Baxter ST Camera Club of New York</a>
<a href="http://www.artistparentindex.com/items/show/462">Labor: Motherhood & Art in 2020</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lenka Clayton
care taking
children and independence
choking hazards
conceptual art
dogs
drawing
household safety
mental focus
motherhood
motherhood and art practice
Pennsylvania
performance art
Pittsburg
sculpture
studio practice
studio time
video art
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https://www.artistparentindex.com/files/original/04610c481954fe0ab57e2bea5d3d3c66.jpg
290e2337d435e9dadee3f04f0729eb0c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="https://lisehallerbaggesen.wordpress.com/" target="_blank" rel="noopener">https://lisehallerbaggesen.wordpress.com/</a>
<a href="http://www.spdbooks.org/Producte/9780988418554/mothernism.aspx" target="_blank" rel="noopener">http://www.spdbooks.org/Producte/9780988418554/mothernism.aspx</a>
Medium
installation
writing
audio
Location
The location of the interview
Chicago
Illinois
Artist Statement
Mothernism is a nomadic tent camp audio installation and a book, dedicated to staking out and making speakable the “mother-shaped hole in contemporary art discourse.” <br /><br />Since 2013, the installation has travelled to various venues in the United States (The Poor Farm in Manawa, Vox Populi in Philadelphia and Ordinary Projects and the Glass Curtain Gallery in Chicago) and has also spawned a series of panels and “story time” readings as well as the curatorial project 3am Maternal at Vox Populi in Philadelphia. T<span>he Mothernism installation will tour in spring 2016 to The Elisabeth Foundation and A.I.R. Gallery and to The Contemporary Austin.</span><br /><br />The book, with pictures of the installation, was published in 2014, by Poor Farm Press and Green Lantern Press. It is available in the US through SPD: <a href="http://www.spdbooks.org/Producte/9780988418554/mothernism.aspx" target="_blank" rel="noopener">http://www.spdbooks.org/Producte/9780988418554/mothernism.aspx</a>
Topic
motherhood
motherhood and art practice
contemporary art discourse
science fiction
disco
music
biography
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/388">Mother Load</a>
Publications
A catalog or monograph published by the artist
<a href="http://www.artistparentindex.com/items/show/463">The Maternal in Creative Work Intergenerational Discussions on Motherhood and Art, Contributor</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lise Haller Baggesen
audio
biography
Chicago
contemporary art discourse
disco
Illinois
installation
motherhood
motherhood and art practice
Mothernism
music
science fiction
writing