1
300
16
-
https://www.artistparentindex.com/files/original/a7222bbae59d70fa0c90c1f3d1131e10.jpg
4dd72c0bc69d6b4df2ca595f803c3ae2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<p><a href="http://www.celiarocha.com" target="_blank" rel="noopener">www.celiarocha.com</a></p>
Medium
drawing
photography
installation
social practice
Location
The location of the interview
Santa Ana
California
Artist Statement
<p>I am a Portuguese interdisciplinary artist living and working in Southern California. My lived experience and my interest in activism are the driving forces in my creative process. I use my artwork as a tool for activism, drawing on social issues that have affected me on a personal level, such as my experience of motherhood, the politics of childbirth or sexual violence. My artwork explores universal issues of gender and collective identity, culture, memory and loss, while it is imbued with the feeling of saudade, a typically Portuguese trait roughly translated as a nostalgic longing or yearning of someone or something of the past.</p>
<p> </p>
<p>I have used a wide range of media - including painting, installation, social practice, video and sound - but drawing and photography remain at the core of my practice. Influenced by Vija Celmins's drawings, Andrea Bowers use of text and activism and Suzanne Lacy’s commitment to social justice, my work examines inequality and is borne out of a desire to call attention to the often invisible and overlooked issues that affect primarily women.<br /><br />@celiarochastudio</p>
Topic
parenting
caretaking
pregnancy
labor
childbirth
motherhood
maternal
c-section
cesarean section
natural birth
home birth
feminism
breastfeeding
baby clothes
babies
children
maternal mortality
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
2021 <a href="https://www.artistparentindex.com/items/show/606" target="_blank" rel="noopener">Maternochronics</a> | Virtual exhibition | maternochronics.com
2018 Maternal Matters | Bolsky Gallery | Otis College of Art and Design | Los Angeles
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Célia Rocha
babies
baby clothes
breastfeeding
c-section
California
caretaking
cesarean section
childbirth
children
drawing
feminism
home birth
labor
maternal
maternal mortality
motherhood
natural birth
parenting
photography
pregnancy
-
https://www.artistparentindex.com/files/original/22e7473798c5adeac9be28a493cac8c7.jpg
70729d7b75424475ce13b0110863e5e3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Editor
<a href="http://www.artistparentindex.com/items/show/47">Rachel Epp Buller</a>
Charles Reeve
Contributor
The author of an article within an anthology
Julia V. Hendrickson
<a href="http://www.artistparentindex.com/items/show/223">Irene Pérez</a>
<a href="http://www.artistparentindex.com/items/show/252">Jennie Klein</a>
Tina Kinsella
<a href="http://www.artistparentindex.com/items/show/78">Shira Richter</a>
Lydia Gordon
Caroline Seek Langill
Niku Kashef
<a href="http://www.artistparentindex.com/items/show/98">Deirdre Donoghue</a>
Alicia Harris (Assiniboine)
<a href="http://www.artistparentindex.com/items/show/247">Terri Hawkes</a>
<a href="http://www.artistparentindex.com/items/show/5">Dyana Gravina</a>
Anna Ehnold-Danailov
Line Langebek
Doreen Balabanoff
Heidi Overhill
Ruchika Wason Singh
Amber Berson
Juliana Driever
<a href="http://www.artistparentindex.com/items/show/46">Lena Šimić</a>
Emily Underwood-Lee
<a href="http://www.artistparentindex.com/items/show/104">Natalie Loveless</a>
<a href="http://www.artistparentindex.com/items/show/100">Christa Donner</a>
Andrea Francke
<a href="http://www.artistparentindex.com/items/show/60">Kim Dhillon</a>
Martina Mullaney
Publisher
<a href="https://demeterpress.org/books/inappropriate-bodies-art-design-and-maternity/" target="_blank" rel="noopener">Demeter Press</a>
City of Publication
Bradford
Province of Publication
Onterio
Country of Publication
Canada
Date of Publication
2019
ISBN 13
9781772582093
Topic
maternity
maternal
expectations
norms
strategies for change
bodies
maternal body
design
art
systems design
appropriateness
inappropriateness
collectives
activism
feminism
queer bodies
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Inappropriate Bodies: Art, Design, and Maternity
activism
appropriateness
art systems design
Bodies
Bradford
Canada
collectives
Design
expectations
feminism
maternal
maternal body
maternity
norms
Ontario
queer bodies
strategies for change
-
https://www.artistparentindex.com/files/original/50c23c9852b1fd0da74f8505f7d0819f.jpg
dcf264c650bbc21f6c0121743a76c408
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.palcik.com" target="_blank" rel="noopener">www.palcik.com</a>
Medium
film
Location
The location of the interview
Dublin
Ireland
Artist Statement
Bara would like other parents to identify with the impact that children can have on their lives or offer would-be parents a unique insight into an experience of first-time parenting. Her work is also a love letter of sorts to her main inspiration, her son, as the work she creates is not only about him but for him.
The short film “Matyas” is inspired by a Czech fairy tale “Otesanek” written by Karel Jaromir Erben. The Czech folk tale from the nineteenth century talks about a living, constantly hungry, wooden log which eats its mother and its father and then continues eating other people. The end of this enormous eating is brought about by an old lady working in the fields who cuts through its wooden stomach and all the people jump out alive.
“Matyas”, the story of the all-consuming nature of maternal love, talks about a single mother who is not unhappy but very tired. The mother struggles with her constantly hungry baby who, in an addition to the original folk tale, never sleeps.
The mother grows desperate as she tries to feed the baby with everything she can find in their home. Her milk is not enough, nor is porridge, fruit or vegetables. She gives him pork and chicken meat but nothing helps. Nothing she can find fills the baby, and he constantly cries and doesn’t sleep. Finally, after over 300 sleepless nights, the mother finds a solution to this constantly growing hunger. She takes a long shower and prepares herself: she shaves her legs and armpits, she washes her hair, she brushes her teeth, all so she can be clean and ready for her baby. She has, once and for all, realised how to fulfil her baby’s insatiable hunger.
Topic
single mother
motherhood
child
sleep
fairytale
tired
love
food
hunger
reality
consume
parent
life
feeding
milk
maternal
nap
baby
woman
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
“Matyas” was selected for the Dublin Feminist Film Festival 2018, Desert Edge Global Film Festival in India 2018 and Mother Art Prize in London 2019.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bara Palcik
baby
child
feeding
film
hunger
maternal
milk
motherhood
nap
single mother
woman
-
https://www.artistparentindex.com/files/original/6bb2e1291d6d97f55b95215dc55ca471.jpeg
e64733c4c2f74f7168d91059c7fc1266
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<p class="p1"><a href="http://www.jessdobkin.com" target="_blank" rel="noopener">jessdobkin.com</a></p>
Medium
performance
social practice
Location
The location of the interview
Toronto
Canada
Artist Statement
<p class="p1">I’ve been a working artist, curator, community activist and teacher for more than 25 years, creating and producing intimate solo performances, large-scale public happenings, socially engaged interventions and performance art workshops and lectures. My practice extends across black boxes and white cubes, art fairs and subway stations, international festivals, and single bathroom stalls. I’ve operated an artist-run newsstand in a vacant subway station kiosk, a soup kitchen for artists, a breast milk tasting bar, and a performance festival hub for kids. I’m forever inspired by the rebel queers, renegade witches, and other dyke moms I run with, and bound to many brilliant artists, activists, spell-casters and healers. <span class="s1">For many years I made performances that drew from my own experiences of trauma and transformation, intimacy and motherhood. More recently, I’ve experienced a shift in my practice, where my attention has turned to wider theoretical questions about the nature of performance itself to </span>ask questions about when, where, how we perform - in theatres and galleries, on social media, and in our everyday lives.</p>
Topic
abjection
activism
adulthood
aging
archive
art
art and research
artist mother
art making
artist parent
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal body
maternal bodies
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist identity
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood and political context
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
subjectivity
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mothers
single mother
social justice
social practice
stories
storytelling
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women's health
women's identity
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
The Lactation Station Breast Milk Bar 2006, 2012, 2016
Imagined Family Portraits 2007 - ongoing
Free Childcare Provided 2013
Fee for Service 2006
Being Green 2009
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jess Dobkin
abjection
activism
adulthood
ageing
archive
art
art and research
art making
artist mother
artist parent
artist-parents
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
Care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal bodies
maternal body
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist
mother artist identity
mother artists
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and political context
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mother
single mothers
social justice
social practice
Stories
storytelling
subjectivity
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women’s health
women’s identity
-
https://www.artistparentindex.com/files/original/6a5b3c63539bb6a4426ef547e21903ce.jpg
2fe7a6ab781d8b9f9c3a5254552f4d02
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<p class="p1"><a href="jesstaylorartist.com" target="_blank" rel="noopener">jesstaylorartist.com</a></p>
Medium
sculpture
new media
Location
The location of the interview
Adelaide
Australia
Artist Statement
<p class="p1">I am an early career artist whose practice explores my fascination with fictional horror through primarily digital methods of making. Within the broader realm of horror, I have a particular interest in monsters, voyeurism, and depictions of female brutality, sadism, and masochism. Using my own image and body exclusively, my work presents versions of womanhood that transgress the bounds of what we are taught is acceptable, uncanny spectres of female experience that society is keen to repress. Here, monstrosity is configured as a source of damnation and agency, reflecting womanhood as complex and contradictory.</p>
<p class="p2"></p>
<p class="p3">My own experience as a mother has been one of profound contradiction, of exhilarating highs and profound lows, of love and fury, comfort and trauma. I struggle to reconcile the fact that the greatest time in my life is also the one when it was the darkest, and that my body birthed a miracle but feels like a ruin. I am not as I was, but not quite sure what I am now; I’ve yet to turn into anything resembling the gargantuan mother archetype we’re fed, and too much of the old Jess remains for me to consider myself someone new. I have been transformed, reborn, reconfigured using the old parts. Some days those new parts feel like they were made of steel, making me infinitely stronger than I was, and other days that steel bites into my flesh, broken limbs fused back together suddenly failing to bear my weight.</p>
<p class="p4"></p>
<p class="p3">Motherhood is a monstrous condition; it is incredible and disturbing, beautiful and completely fucked up. Like monstrosity, it is transformative, and for the woman-monster, this transformation is a source of both agency and damnation, strength and weakness. My work since my son is in part an attempt to reconcile the contradiction inherent in my own experience of motherhood, and to bridge the divide between what I am and what we are told a mother should be.</p>
<p class="p3">Experiencing pregnancy for the second time has greatly influenced my work, causing me to reflect much more closely on the process of bearing a child. There is the strange bodily awareness and attempts to reconcile this cavernous space that exists within me, and evocations of my own paranoias as I imagine this space as a place of both hope and doom. I like to think there is also some absurdity when one looks at a ridiculous, bulbous woman, or my lady-giants, but there is also the tenderness of the nets that keep the babies close to her body, or the way a stomach is opened up to sate the curiosity of the smaller figures who peer inside. There is the sorrow of the figure on the bridge as she surveys the fallen before her (a mediation on periods in history where the practice of fallen-mothers ending their lives and the lives of their offspring was not only a grim expectation, but an act of redemption), and my attempt to see a ruin as a place of beauty and life.</p>
Topic
abjection
ambivalence
anger
anxiety
artist mother
attachment
autonomy
bad mother
birth
birth trauma
body transformation
boundaries
childbirth
contemporary
contemporary art practice
contradictions
domestic
family ties
female experience
female sexuality
feminine
femininity
feminism
feminist
feminist art
feminist art theory
fertility
grotesque
growth
guilt
identity
loneliness
longing
loss
loss of identity
maternal ambivalence
maternal anxiety
maternal body
maternal desire
maternal experience
maternal fear
maternal guilt
mother
mother artist
motherhood
postpartum body
pregnancy
pregnant body
psychoanalysis
representation
science fiction
self portrait
technology
trauma
voyeurism
womb
women
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jess Taylor
abjection
ambivalence
anger
anxiety
artist mother
attachment
Australia
autonomy
bad mother
birth
birth trauma
body transformation
boundaries
childbirth
contemporary art
contemporary art practice
contradictions
domestic
family ties
female experience
female sexuality
feminine
femininity
feminism
feminist
feminist art
feminist art theory
feminist theory
fertility
grotesque
growth
guilt
identity
loneliness
longing
loss
loss of identity
maternal
maternal ambivalence
maternal anxiety
maternal bodies
maternal body
maternal desire
maternal experience
maternal fear
maternal guilt
mother
mother artist
motherhood
new media
postpartum body
pregnancy
pregnant body
psychoanalysis
representation
science fiction
sculpture
self portrait
technology
trauma
voyeurism
womb
women
-
https://www.artistparentindex.com/files/original/c75922dcdc7442c848439e15999415ee.jpg
643c94a9a808e4b2ad45709ebf4b7584
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Website
<a href="https://www.whakatanemuseum.org.nz/exhibitions-and-events/mother" target="_blank" rel="noopener">https://www.whakatanemuseum.org.nz/exhibitions-and-events/mother</a>
Curator
Sarah Hudson
Gallery
Te Kōputu - Whakatāne Library and Exhibition Centre
Curatorial Statement
M/other is an exhibition on contemporary artists from around New Zealand creating work about motherhood, mothering and maternal roles. Artist contributions from: Erena Baker, Leala Faleseuga, Rhonda Halliday, Turumeke Harrington, Claire Harris, Tash Helasdottir-Cole, Zoe Thompson-Moore, Jasmine Togo-Brisby, Kararaina Toi, Justine Walker
Location
The location of the interview
Whakatāne
New Zealand
Artists
Erena Baker
Leala Faleseuga
Rhonda Halliday
Turumeke Harrington
Claire Harris
Tash Helasdottir-Cole
Zoe Thompson-Moore
Jasmine Togo-Brisby
Kararaina Toi
Justine Walker
Topic
motherhood
mothering
maternal roles
artist mother
artist/mother,
artistic labor
artists with children
autonomy
binary tensions
birthday parties
bleeding
breast milk
breast pump
care labor
body
birth
contemporary art
conceptual art
IVF, mental health, miscarriage, maternal, needlework, postpartum, personal, women artists, women representation,
domestic families
feminism
handwork traditions
indigenous motherhood
infertility
intergenerational
IVF
mental health
miscarriage
maternal
needlework
postpartum
personal
women artists
women representation
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
April 20 - August 17, 2019
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
M/other
Contributor
An entity responsible for making contributions to the resource
Sarah Hudson
artist mother
artist/mother
artistic labor
artists with children
autonomy
binary tensions
birth
birthday parties
bleeding
body
breast milk
breast pump
care labor
conceptual art
contemporary art
domestic
families
feminism
handwork traditions
Indigenous motherhood
infertility
intergenerational
IVF
maternal
maternal roles
mental health
miscarriage
motherhood
mothering
needlework
New Zealand
personal
postpartum
Whakatāne
women artists
women representation
-
https://www.artistparentindex.com/files/original/4d6f012aa30cc3cf47510a821bcd39ca.jpg
d70ce63a1ab04aaa712163b687854db3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Editor
Amy Hughes Braden
Raina Martens
Contributor
The author of an article within an anthology
Mother Afrodite
Margaret Bakke
Carolyn Chernoff
Yauri Delancour
Melani N. Douglass
Maribeth Egan
Laura Elkins
Kristin Rose Gaudio Endsley
Fabiola
Amy Elayne Finkelstein
Mel Harper
LaToya Michelle Hobbs
<a href="http://www.artistparentindex.com/items/show/1" target="_blank" rel="noopener">Sarah Irvin</a>
Mariko Iwata
Mariah Anne Johnson
Tsedaye Makonnen
China Martens
Molly McIntyre
Maria McLean
Maggie Michael
Rebecca Perez
Hannah Hessel Ratner
Katie Rauth
Gail Susan Rebhan
Julia Kim Smith
Donna Teare
Caitlin R. Woolsey
<a href="http://www.artistparentindex.com/items/show/2" target="_blank" rel="noopener">Megan Wynne</a>
Publisher
<a href="http://www.artistparentindex.com/items/show/336" target="_blank" rel="noopener">Artist Mother Studio</a>
City of Publication
Washington DC
Date of Publication
2018
Topic
zine
Artist Mother Studio
mother artists
childcare
community
pregnancy
marginalized mothers
breastfeeding
support systems
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Maternal Journal
Artist Mother Studio
childcare
journal
maternal
mother artist
pregnancy
Washington DC
zine
-
https://www.artistparentindex.com/files/original/c1363c15bf221c8a27ff1f618e47ce9f.jpeg
c778bf332c237fef7aab4e2e99598eca
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Author
Ruby C. Tapia
Publisher
University of Minnesota Press
City of Publication
Minneapolis
State of Publication
Minnesota
Country of Publication
United States
Date of Publication
2011
ISBN 13
978-0-8166-5311-9
Topic
maternity
representations of motherhood
death
race
immigration
racialized motherhood
cultural criticism
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
American Pietàs: Visions of Race, Death, and the Maternal
cultural criticism
gender
immigration
maternal
maternity
motherhood
Race
racialized motherhood
representations of motherhood
roland barthes
visual culture
-
https://www.artistparentindex.com/files/original/3b1565f38d232cfe847f0b3cbe6f629b.jpg
2e4ef58d19abdc0c233b3fade15eb390
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Editor
Andrea O'Reilly
Contributor
The author of an article within an anthology
Adrienne Rich
Nancy Chodorow
Sara Ruddick
Alice Walker
Barbara Katz Rothman
bell hooks
Sharon Hays
Patricia Hill-Collins
Julia Kristeva
Kim Anderson
Audre Lorde
Ellen Lewin
Daphne de Marneffe
Ariel Gore
Ann Crittenden
Judith Warner
Publisher
Demeter Press
Province of Publication
Ontario
Country of Publication
Canada
Date of Publication
May 1, 2007
ISBN 13
978-1550144826
ISBN 10
1550144820
Topic
maternal thinking
motherhood
mothering
maternal theory
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Maternal Theory: Essential Readings
gender roles
gender studies
maternal
maternal theory
maternal thinking
motherhood
queer parenting
Race
-
https://www.artistparentindex.com/files/original/1693b1f271af2e2a633ab4d9110cbbb6.jpeg
913939f13cc15879269f52f417d024d4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Author
Andrea Liss
Publisher
University of Minnesota Press
City of Publication
Minneapolis
State of Publication
Minnesota
Country of Publication
United States
Date of Publication
January 12, 2009
ISBN 13
978-0816646234
ISBN 10
0816646236
Topic
feminism
art and mothering
maternal thinking
motherhood
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Feminist Art and the Maternal
feminism
feminist art
feminist art theory
maternal
mother artist
mother as artist
mother/artist identity
motherhood
motherhood and art practice
-
https://www.artistparentindex.com/files/original/f366b7c6dc4a321a765949dd4632f365.jpg
abf1f9bc1f7e2bdb48b1d32d9d13d3a0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Title
Exhibition
Exhibition Website
<a href="https://newmaternalisms.squarespace.com/2016-exhibition-overview/" target="_blank" rel="noopener">https://newmaternalisms.squarespace.com/2016-exhibition-overview/</a>
Location
The location of the interview
Edmonton
Alberta
Canada
Curatorial Statement
<p><em>New Maternalisms Redux</em> is the third and last in the <em>New Maternalisms</em> exhibition series (following Toronto 2012 and Santiago 2014). It features five artists drawn from the first two exhibitions: Lenka Clayton, Jess Dobkin, Alejandra Herrera, Courtney Kessel, & Jill Miller. The work of these artists represents a spectrum of experience; it includes queer and straight identified mothers, single and partnered mothers, mothers of differently abled children, mothers of twins and singletons, and a represents range of race/class/economic privilege. This range of positionalities inflects the performance and project-based work presented here -- work that investigates the maternal iteratively, as a political and affective force. Considered individually and together, these works engage with one another and the public, drawing the community into important conversations around what it means to mother, as a non-reductive, thinking-feeling and political practice, today.</p>
<p><em>A three-day colloquium, <a href="http://www.newmaternalisms.com/colloquium-overview/">Mapping the Maternal: Art, Ethics, and the Anthropocene</a>, is being held in conjunction with the exhibition, with participants drawn from the most prominent voices on feminist art and the maternal today. The keynote presentation is being delivered by internationally recognized feminist theorist and art historian, Dr. Griselda Pollock. This colloquium, open to the public, brings crucial thinking on the anthropocene and anthropogenic climate change together with thinking on the maternal as metaphor, practice, and politics. </em><em>Accompanying the exhibition there will be a film screening at Edmonton’s <a href="http://www.metrocinema.org/" target="_blank" rel="noopener">Metro Cinema at the Garneau Theater</a> (3:30 pm on May 13th). The screening features two shorts, <a href="http://sheenawilson.ca/" target="_blank" rel="noopener">Sheena Wilson’s</a> PetroMama and <a href="http://ginamiller.ca/" target="_blank" rel="noopener">Gina Miller’s</a> Family Tissues, and a full-length screening of <a href="http://www.artistparentindex.com/items/show/295" target="_blank" rel="noopener">Irene Lusztig’s </a>award-winning <a href="http://motherhoodarchives.net/" target="_blank" rel="noopener">The Motherhood Archives</a>.<br /></em></p>
Artists
<a href="http://artistparentindex.com/items/show/44" target="_blank" rel="noopener">Lenka Clayton</a>
<a href="http://www.artistparentindex.com/items/show/377">Jess Dobkin</a>
<a href="http://artistparentindex.com/items/show/160" target="_blank" rel="noopener">Alejandra Herrera Silva</a>
<a href="http://artistparentindex.com/items/show/27" target="_blank" rel="noopener">Courtney Kessel</a>
<a href="http://artistparentindex.com/items/show/24" target="_blank" rel="noopener">Jill Miller</a>
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
May 12 — June 4, 2016
Topic
motherhood
maternity
maternal
partnered mothers
single mothers
political art
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New Maternalisms: Redux
California
Edmonton
maternal
maternity
motherhood
partnered mothers
political art
single mothers
-
https://www.artistparentindex.com/files/original/afd0bf3b1a3b6a94b878c0579d49ce89.png
1b4be4f2f39ef567753ee2f69d9f71a0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<span><a class="in-cell-link" href="http://www.michellehartney.com/" target="_blank" rel="noopener">http://www.michellehartney.com/</a></span>
<div><a href="https://www.michellehartney.com/mothers-right" target="_blank" rel="noopener noreferrer">https://www.michellehartney.com/mothers-right</a></div>
<div></div>
<a href="http://www.michellehartney.com/moms" target="_blank" rel="noopener">www.michellehartney.com/moms</a>
<a href="https://www.michellehartney.com/kimberly-said-no" target="_blank" rel="noopener">https://www.michellehartney.com/kimberly-said-no</a>
<a href="http://www.michellehartney.com/birthwords" target="_blank" rel="noopener">http://www.michellehartney.com/birthwords</a>
<a href="https://www.michellehartney.com/correcting-history" target="_blank" rel="noopener">https://www.michellehartney.com/correcting-history</a>
<a href="http://www.michellehartney.com/anarcha-lucy-betsey" target="_blank" rel="noopener">www.michellehartney.com/anarcha-lucy-betsey</a>
Medium
mixed media
performance art
Location
The location of the interview
Chicago
Illinois
United States
Artist Statement
<p>Michelle Hartney is a Chicago based artist whose work addresses a broad range of topics, from women’s health issues, to the concept of heroes, love, and the cosmos. She works in a variety of materials, including fiber, wood, found objects, and most recently, performance. Her interest in using art to address social issues began during her graduate studies at The School of the Art Institute of Chicago, where she was an Albert Schweitzer Fellow.</p>
<p>In 2015 she became the <a href="http://www.michellehartney.com/improving-birth">Chicago rally coordinator </a>for<a href="http://improvingbirth.org/" target="_blank" rel="noopener">I</a><a href="http://improvingbirth.org/" target="_blank" rel="noopener">mproving Birth's</a> nationwide Labor Day rallies. Most recently, Hartney joined <a href="http://www.everymothercounts.org/" target="_blank" rel="noopener">Every Mother Counts </a>as a<a href="http://www.michellehartney.com/every-mother-counts">running ambassador.</a> With twenty-six years of distance running to draw from, including several marathons, triathlons, and running cross country and track for Purdue University, she is forming a team of men and women to race with and raise awareness about maternal healthcare issues. <a href="http://www.michellehartney.com/every-mother-counts" target="_blank" rel="noopener">Click here</a> for more information about joining her team.</p>
Topic
maternity
feminism
mother/daughter relationship
pregnancy
newborn
healthcare
mothers
women
women's health
maternal healthcare
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Michelle Hartney
Chicago
feminist
healthcare
Illinois
maternal
maternal healthcare
mixed media
mother/daughter relationship
mothers
newborn
performance art
pregnancy
United States
women
women's health
-
https://www.artistparentindex.com/files/original/a7a0bc57de6e89f8b612056929363bb3.pdf
b47ef750b34efe63788bbd81d96e4b21
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Organization Database
Service
An organization supporting artist parents.
Location
The location of the interview
The Netherlands
Topic
motherhood
maternal theory
maternal thinking
maternal labor
About
<p>m/other voices foundation is a non-profit organisation created for the purposes of initiating, supporting, doing, promoting, raising awareness and giving visibility to maternal thinking, -theory and -research within the arts, culture, philosophy and the society at large, as well as to increase the participation of mothers in the production of art, culture and theory. The foundation undertakes activities to further the cause of mothers, and others engaged in maternal labour, as thinkers and as producers of knowledge, through activities including, but not restricted to, to the organisation of reading groups, field trips, exhibitions and publications, community involvement groups, dialogue, seminars and conferences and the building and maintenance of local and international communities and networks between mother artists, researchers and others interested in engaging in the doing of maternal theory. </p>
<div> </div>
Organization Website
<a href="http://www.mothervoices.org/the-mothernists/" target="_blank">http://www.mothervoices.org/the-mothernists/</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
m/other voices
maternal
maternal theory
motherhood
-
https://www.artistparentindex.com/files/original/be79acacfdc4bce9f622f840d00e07ce.png
4aaa5fa665dd9bcb983d881f5e286b05
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.emmafinucane.com/" target="_blank">http://www.emmafinucane.com/</a>
Medium
screenprint
photography
video art
performance art
printmaking
installation
Location
The location of the interview
Bray
County Wicklow
Ireland
Artist Statement
I develop artwork through dialogue, process based, participatory and collaborative practice. I investigate the way we connect and communicate with others and ultimately how it contributes to the quality of our lives. I am looking at the role of the artist in society and questioning how “useful” the role of art can be when entering into different areas. My work has frequently combined education, research and artistic practice. My visual research consists of screen print, digital images and photography, slides and video experiments. I have been using video in both documentary and performance based formats, combining live action with static projections, improvisation and language. <br /><br />I am currently Artist in Residence in UCD College of Health Sciences where I am the principle investigator on a research team with a midwifery lecturer Dr. Maria Healy (UCD) and midwife, Teresa McCreery based at the National Maternity Hospital, Holles Street. Together we are working on the research initiative: An interpretive phenomenological study: Illuminating childbirth experiences of women attending a midwife-led service via visual art works. Insights from this research will highlight women’s lived experiences of childbirth vis visual artworks and academic publications. The final artworks will be included in the UCD Health Sciences Library in book format as an educational tool alongside academic books.
Topic
childbirth
motherhood
maternal
education
parenting
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Emma Finucane
Bray
childbirth
County Wicklow
education
installation
Ireland
maternal
motherhood
parenting
performance art
photography
printmaking
screenprint
video art
-
https://www.artistparentindex.com/files/original/8f74b9cc5916aeb8936dfaf4d390aecf.jpg
34b0132e13eb6e7905b57af64177262d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Event Type
Exhibition
Exhibition Website
<a href="http://www.performanceart.ca/index.php?m=program&id=226" target="_blank">http://www.performanceart.ca/index.php?m=program&id=226</a>
<a href="http://www.newmaternalisms.ca." target="_blank">newmaternalisms.ca</a>
Location
The location of the interview
Toronto
Ontario
Canada
Curator
<a href="http://artistparentindex.com/items/show/104" target="_blank">Natalia Loveless</a>
Curatorial Statement
<div><span>New Maternalisms</span><span> is a multi-pronged project conceived of by art historian, curator, and conceptual and performance artist </span><a href="http://www.artdesign.ualberta.ca/Faculty_and_Staff/Faculty/Natalie_Loveless.aspx" target="_blank"><span>Natalie S. Loveless</span></a><span> in 2010. It consists of three curated exhibitions (</span><span>New Maternalisms</span><span> in 2012, held at the </span><a href="http://www.mercerunion.org/" target="_blank"><span>Mercer Union</span></a><span>; </span><span>New Maternalisms Chile</span><span> in 2014, co-curated with</span><a href="http://www.artes.uchile.cl/noticias/40662/soledad-novoa-la-mujer-a-la-que-hay-que-tratar-con-cuidado" target="_blank"><span>Soledad Novoa</span></a><span>, and held concurrently at the </span><a href="http://www.mac.uchile.cl/" target="_blank"><span>Museo de Arte Contemporáneo </span></a><span> and the </span><a href="http://www.mnba.cl/617/w3-channel.html" target="_blank"><span>Chilean National Museum of Fine Arts</span></a><span> in Santiago de Chile; and </span><span>New Maternalisms Redux </span><span>in 2016, held at the University of Alberta’s </span><a href="http://www.artdesign.ualberta.ca/fab_gallery.aspx" target="_blank"><span>FAB Gallery</span></a><span>), satellite events surrounding these (most notably the colloquium </span><span>Mapping the Maternal: Art, Ethics, and the Anthropocene, </span><span>co-organized with </span><a href="http://sheenawilson.ca/" target="_blank"><span>Dr. Sheena Wilson</span></a><span>), an individual three-year artistic research project, </span><a href="http://www.maternalecologies.ca/" target="_blank"><span>Maternal Ecologies</span></a><span>, </span><span>and publications (both catalogues and critical writings).</span></div>
<div> </div>
<div><span>The first <em>New Maternalisms</em> exhibition asked: Forty years after the intervention of feminist art, what is the experience of the daughters of that era who have become mothers? </span><span>What are the discursive and material differences between early maternal artworks of the 1970s and those being produced in the first two decades of the 21st century? How might a return to the discourses that shaped the birth of feminist art help reshape how to think about the contours of political and activist art in today's cultural climate? </span><span>Grounded in these questions, this exhibition brought together a group of artist who use performance to bring attention to the embodied, biological, and material enmeshment of early maternal practice in the context of feminist art theory and practice today.</span></div>
<div> </div>
<div><span>This second iteration of </span><span>New Maternalisms</span><span> was a co-curation with the Chilean curator Soledad Novoa. It brought together North American and European artist (curated by Loveless) with Chilean artists (curated by Novoa) to stage an international conversation on the status of the maternal in contemporary art. These works reflect the expressed need of many artists to find creative ways to integrate their practices as mothers, artists, curators, writers and teachers. By taking seriously the need to create from local conditions and materials, these practices give visibility and value to motherhood </span><span>in</span><span> art and </span><span>as</span><span> art.</span></div>
<div> </div>
<div><span>New Maternalisms Redux</span><span> is the third and last in the </span><span>New Maternalisms</span><span> exhibition series (following Toronto 2012 and Santiago 2014). These exhibitions feature performance and project-based artists working with the maternal as a contemporary political and affective force. </span><span>New Maternalisms Redux</span><span> features five artists culled from the first two exhibitions, each of whom have been investigating the maternal, iteratively, for years. A three-day colloquium, </span><a href="http://newmaternalisms.squarespace.com/colloquium" target="_blank"><span>Mapping the Maternal: Art, Ethics, and the Anthropocene</span></a><span>, will be held in conjunction with the exhibition and include a number of prominent voices on feminist art and the maternal today (including Mary Kelly and Dr. Griselda Pollock as keynote participants). This colloquium, open to the public, brings crucial thinking on the anthropocene and anthropogenic climate change together with thinking on the maternal as metaphor, practice, and politics.</span></div>
Artists
<a href="http://artistparentindex.com/items/show/24" target="_blank">Jill Miller</a>
<a href="http://artistparentindex.com/items/show/160" target="_blank">Alejandra Herrera Silva</a>
Lovisa Johansson
Marlene Renaud-B
Hélène Matte
<a href="http://artistparentindex.com/search?query=lenka+clayton&submit_search=Search" target="_blank">Lenka Clayton</a>
Beth Hall and Mark Cooley
Masha Godovannaya
Gina Miller
Dillon Paul & Lindsey Wolkowicz
Victoria Singh
Alice de Visscher
Christine Pountney
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
Fri March 23rd - Sun March 25th
Topic
feminist art
maternal
motherhood
maternity
art and activism
Gallery
<a href="http://www.mercerunion.org/" target="_blank">Mercer Union</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New Maternalisms - Toronto
feminism
feminist art
maternal
maternity
motherhood
performance works
political art
video works
-
https://www.artistparentindex.com/files/original/4a5daa183dcc3c21fcd52dac95f50c3f.jpg
718e48a6f5c4d42c5a012aa1490a7e9f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Event Type
Exhibition
Exhibition Website
<a href="http://www.newmaternalisms.com/2014-overview/" target="_blank">http://www.newmaternalisms.com/2014-overview/</a>
<a href="http://www.newmaternalisms.ca." target="_blank">newmaternalisms.ca</a>
Location
The location of the interview
Santiago
Chile
Curator
<a href="http://artistparentindex.com/items/show/104" target="_blank">Natalie Loveless</a>
Soledad Novoa Donoso
Curatorial Statement
<div><span>New Maternalisms</span><span> is a multi-pronged project conceived of by art historian, curator, and conceptual and performance artist </span><a href="http://www.artdesign.ualberta.ca/Faculty_and_Staff/Faculty/Natalie_Loveless.aspx" target="_blank"><span>Natalie S. Loveless</span></a><span> in 2010. It consists of three curated exhibitions (</span><span>New Maternalisms</span><span> in 2012, held at the </span><a href="http://www.mercerunion.org/" target="_blank"><span>Mercer Union</span></a><span>; </span><span>New Maternalisms Chile</span><span> in 2014, co-curated with</span><a href="http://www.artes.uchile.cl/noticias/40662/soledad-novoa-la-mujer-a-la-que-hay-que-tratar-con-cuidado" target="_blank"><span>Soledad Novoa</span></a><span>, and held concurrently at the </span><a href="http://www.mac.uchile.cl/" target="_blank"><span>Museo de Arte Contemporáneo </span></a><span> and the </span><a href="http://www.mnba.cl/617/w3-channel.html" target="_blank"><span>Chilean National Museum of Fine Arts</span></a><span> in Santiago de Chile; and </span><span>New Maternalisms Redux </span><span>in 2016, held at the University of Alberta’s </span><a href="http://www.artdesign.ualberta.ca/fab_gallery.aspx" target="_blank"><span>FAB Gallery</span></a><span>), satellite events surrounding these (most notably the colloquium </span><span>Mapping the Maternal: Art, Ethics, and the Anthropocene, </span><span>co-organized with </span><a href="http://sheenawilson.ca/" target="_blank"><span>Dr. Sheena Wilson</span></a><span>), an individual three-year artistic research project, </span><a href="http://www.maternalecologies.ca/" target="_blank"><span>Maternal Ecologies</span></a><span>, </span><span>and publications (both catalogues and critical writings).</span></div>
<div> </div>
<div><span>The first <em>New Maternalisms</em> exhibition asked: Forty years after the intervention of feminist art, what is the experience of the daughters of that era who have become mothers? </span><span>What are the discursive and material differences between early maternal artworks of the 1970s and those being produced in the first two decades of the 21st century? How might a return to the discourses that shaped the birth of feminist art help reshape how to think about the contours of political and activist art in today's cultural climate? </span><span>Grounded in these questions, this exhibition brought together a group of artist who use performance to bring attention to the embodied, biological, and material enmeshment of early maternal practice in the context of feminist art theory and practice today.</span></div>
<div> </div>
<div><span>This second iteration of </span><span>New Maternalisms</span><span> was a co-curation with the Chilean curator Soledad Novoa. It brought together North American and European artist (curated by Loveless) with Chilean artists (curated by Novoa) to stage an international conversation on the status of the maternal in contemporary art. These works reflect the expressed need of many artists to find creative ways to integrate their practices as mothers, artists, curators, writers and teachers. By taking seriously the need to create from local conditions and materials, these practices give visibility and value to motherhood </span><span>in</span><span> art and </span><span>as</span><span> art.</span></div>
<div> </div>
<div><span>New Maternalisms Redux</span><span> is the third and last in the </span><span>New Maternalisms</span><span> exhibition series (following Toronto 2012 and Santiago 2014). These exhibitions feature performance and project-based artists working with the maternal as a contemporary political and affective force. </span><span>New Maternalisms Redux</span><span> features five artists culled from the first two exhibitions, each of whom have been investigating the maternal, iteratively, for years. A three-day colloquium, </span><a href="http://newmaternalisms.squarespace.com/colloquium" target="_blank"><span>Mapping the Maternal: Art, Ethics, and the Anthropocene</span></a><span>, will be held in conjunction with the exhibition and include a number of prominent voices on feminist art and the maternal today (including Mary Kelly and Dr. Griselda Pollock as keynote participants). This colloquium, open to the public, brings crucial thinking on the anthropocene and anthropogenic climate change together with thinking on the maternal as metaphor, practice, and politics.</span></div>
<p> </p>
Artists
Catalina Bauer / Amelia Ibanez
Yennyferth Becerra
Carolina Hernández
<a href="http://artistparentindex.com/items/show/160" target="_blank">Alejandra Herrera Silva</a>
Loreto Pérez
Ángela Ramirez
Gabriela Rivera
Alejandra Ugarte
Ximena Zomosa
<a href="http://artistparentindex.com/items/show/44" target="_blank">Lenka Clayton</a>
Leena Kela
<a href="Courtney%20Kessel" target="_blank">Courtney Kessel</a>
Tanya Lukin-Linklater
<a href="Irene%20Lusztig" target="_blank">Irene Lusztig</a>
Hélène Matte
<a href="http://artistparentindex.com/items/show/24" target="_blank">Jill Miller</a>
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
June 25th - June 28th, August 27th
Topic
feminist art
motherhood
maternity
maternal
mother/daughter relationship
political art
activist art
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New Maternalisms - Chile
Chile
feminism
feminist art
maternal
maternity
mother/daughter relationship
motherhood
political art
Santiago