1
300
13
-
https://www.artistparentindex.com/files/original/49ed2d09c8f7d03c18a5a48f4845163d.jpg
455a2d6a5c744c18099bc4e5f0bcac11
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.sarahirvinart.com" target="_blank" rel="noopener">www.sarahirvinart.com</a>
Biographical Text
When I started my graduate program in 2013, I was confident that becoming a mother was not compatible with my studio practice. In the middle of my first semester, I began to question this assumption. As an experiment, I assumed the opposite was true, that there was work that I could only make if I was a mother. I was suddenly able to envision not only the work, but also myself in the role of “mother” for the first time. Three months later I was pregnant and I got to work. Creating in this way allows me to form myself in a role of “mother” and in turn motherhood continually redefines my practice. The work opens up dialogues about circumstances that are publicly debated, but only privately experienced.
I measured my stomach with a piece of yarn at navel height the day I found out I was pregnant. I tied the yarn off in a loop. I repeated this every day until the day I went into labor. Every week of the second trimester, I lifted 26 pounds, one pound over the recommended amount a pregnant woman should lift, using a block and tackle pulley system and created a transfer drawing with the impact when it was dropped from nine feet.
I established mechanisms to capture the physical actions of parenting as a mark on a page, beginning while I was in labor. For instance, the area rug in the nursery created transfer drawings as we walked across the room, the glider rocker created drawings as we rocked, and the stroller created drawings as we strolled. These works were enabled by the activities of our daily lives and captured the kinetic energy and labor involved in the care and nurturing of an infant.
During the second and third months of my daughter’s life, I created a series of watercolors exclusively while she slept, with each set considered complete when she awoke, allowing my circumstances to dictate aspects of my creative output. While breastfeeding, I made drawings on paper I created from my bed sheets with looping marks corresponding to individual suck and swallow motions of nursing providing a real-time read out of this experience. I commissioned a reproduction of the plastic measuring scoop that comes in a container of Similac infant formula to be cast from silver baby spoons.
Other iterations of this series include my daughter’s nursery as camera obscura; cyanotypes created with her blankets, toys and clothing; early stages of her own mark-making captured through fingerprint dust; silverpoint drawings tracing her early movements made with jewelry from my grandmother; and paintings made with a baby bottle and formula. As a whole, this project-based work is a personal narrative taking form as poetic visual data.
The works are exhibited as sets and series. An entire year’s action of rocking a baby is a set of 59 drawings made with our rocking chair. One year of walking across a nursery rug is a row of 12 large transfer drawings. Fifty feet of watercolors represent a tiny sampling of the available time during early parenthood when the baby slept. The work visualizes how care taking has shaped me as an individual and how it has transformed my mark making.
I view everything related to the experience of parenthood as a valid subject matter and/or mark making tool and this has opened up new methods of creating. The pieces are derived from the everyday. The interface of specific materials and processes with the everyday provides an entry point into broader topics of gender, production, reproduction, care, biological processes and cultural systems.
Medium
painting
drawing
papermaking
video art
photography
installation
Topics
The topics addressed within the Artist's work.
motherhood
parenthood
breastfeeding
infants and sleep
pregnancy
Location
The location of the interview
Richmond
Virginia
Topic
breastfeeding
motherhood
infants and sleep
pregnancy
baby formula
caretaking
gender and caretaking
domestic labor
maternal ambivalence
Artist Residency in Motherhood
gender equality
home
domestic space
care work
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/274" target="_blank" rel="noopener">Labors</a>
<a href="http://www.artistparentindex.com/items/show/392">The End & The Beginning</a>
<a href="http://www.artistparentindex.com/items/show/452">Extended Self: Transformations and Connections</a>
<a href="http://www.artistparentindex.com/items/show/495">Painting at Night, Fort Houston Gallery, Nashville, TN</a>
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Title
A name given to the resource
Sarah Irvin
ambivalence
body
breastfeeding
care work
domestic labor
domestic space
drawing
gender
gender equality
home
infant care
labor
maternal abivalence
maternal body
maternal time
motherhood
mothering
painting
paper
papermaking
repetition
repetitive tasks
ritual
tracking
video
-
https://www.artistparentindex.com/files/original/b56c2fc3aacdeff990b0b6ba133a60d2.jpg
7209bd4de6eacb5ddfd5ae6b3e5882c3
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://artistparentindex.com/items/show/14" target="_blank">www.hillerbrandmagsamen.com</a>
Medium
photography
video art
performance art
Location
The location of the interview
Houston
Texas
Artist Statement
“I HOPE YOU’RE NOT PLANNING TO SELL YOUR HOUSE ANYTIME SOON”
— someone attending one of our art openings —
This is what people often say when they first see our work at art openings, exhibition talks, or film festivals. While they could be commenting on our nominal status as not-so-starving artists, it is more likely that they’re referring to the nature of our work itself. Home, family, belongings—nothing in our life is left un- deconstructed in our art—often quite literally, as sofas, bedroom walls, and dinnerware come under physical attack. We draw no line between our lives and our art.
We are the photographers and the photographed; our home is our canvas, our family is our subject, and our actions are our content.
As the collaborative artistic team of Hillerbrand+Magsamen, we draw upon the rich Fluxus practice of incorporating humor, performance, video and everyday objects and we expand our personal family life into a contemporary art conversation about family dynamics, suburban life and American consumer excess. This new kind of “suburban fluxus” generates work that documents and re-contextualizes our objects and possessions of self, family and culture, the role of the camera in contemporary art and challenges presumptions of the everyday.
We have presented our videos in prestigious international film and media festivals including SCOPE Basel, WAND V Stuttgarter Filmwinter, Taiwan International Video Art Exhibition, New York Underground Film Festival, Ann Arbor Film Festival, Boston Underground Film Festival, LA Freewaves New Media Art Festival. Our cinematic based installations have been seen in Hong Gah Museum in Taiwan, the Hudson River Museum, Woodstock Center for Photography, Museum of Fine Art Houston, Light Factory Contemporary Museum of Photography and Film, and Houston Center for Photography. We have been awarded grants from Austin Film Society’s Texas Filmmakers’ Production Fund, Ohio Arts Council, Houston Arts Alliance and a Carol Crow Fellowship from the Houston Center for Photography.
We live and work in Houston, TX with our two children Madeleine and Emmett."
-From the Artists' website
Topic
family life
suburban life
Fluxus
home
belongings
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Title
A name given to the resource
Hillerbrand+Magsamen
belongings
family life
Fluxus
home
Houston
performance art
photography
Suburban Fluxus
suburban life
Texas
video art
-
https://www.artistparentindex.com/files/original/c46c43a7ba4f11fe58669e1c538caf3b.jpg
6791af9b590fe42c39570e0af68cde41
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Name
Rosie Garton
Ildiko Rippel
Website
The Artist's website
<a href="http://www.zooindigo.co.uk/" target="_blank">http://www.zooindigo.co.uk/</a>
Medium
video
photography
performance
Location
The location of the interview
Nottingham
United Kingdom
Artist Statement
<p>Zoo Indigo is an Anglo-German contemporary performance company based in Nottingham, founded by Rosie Garton and Ildiko Rippel. They have created performance work since 2002, touring regionally, nationally and internationally. The Company have devised many multidisciplinary performance works in collaboration with artists from a variety of disciplines, and produced a range of forms of work, including theatre-based performances, street interventions and interactive site-specific projects.</p>
<p>The performance work tends to stem from exploration with autobiography from performers and audience, with a focus on the innovative integration of digital technologies. With the use of humour, popular music and the reprocessing of cultural texts, (often iconic film images), the company juxtaposes the banalities of the everyday with the extraordinary.</p>
Topic
autobiography
humor
popular music
cultural texts
children
migration
home
displacement
motherhood
Dublin Core
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Title
A name given to the resource
Zoo Indigo
autobiography
children
cultural texts
displacement
home
humor
migration
motherhood
Nottingham
performance
photography
popular music
United Kingdom
video
-
https://www.artistparentindex.com/files/original/7508072e9f058b216450570158be11cf.JPG
581114f114136f21f3673ab82db539da
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://michellebergradford.com/" target="_blank">http://michellebergradford.com/</a>
Medium
painting
mixed media
sculpture
Location
The location of the interview
Greenville
South Carolina
Artist Statement
<span>Michelle Berg Radford is an artist and educator living in Greenville, SC. She holds an M.F.A. in Painting from the Savannah College of Art and Design. She began her studio practice as a landscape painter, but has recently been exploring the meaning behind motherhood and domestic spaces through her mixed media assemblages and collages. Michelle teaches college painting, fiber arts, and theory courses. Michelle lives with her husband, Paul, and three young children and is passionate about weaving together art and daily life.</span>
Topic
motherhood
domestic space
home
baking
maternal responsibilities
maternal labor
birthdays
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Title
A name given to the resource
Michelle Berg Radford
baking
domestic labor
domestic space
feeding the family
Greenville
home
maternal labor
mixed media
motherhood
painting
South Carolina
-
https://www.artistparentindex.com/files/original/15fab02d948e5b02a43afa758e143010.png
03438a384e3687599a0dc885214a5f5a
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="chingchingcheng.com" target="_blank">chingchingcheng.com</a>
Topic
Apron sculpture series
apron
home
identity
Medium
aprons
epoxy resin
Artist Statement
“Build” is a series of works that explore cultural identities in contemporary motherhood. The works are a portrait of myself as artist, wife and mother living in the United States. In history, human beings built shelters physically for their families, and even in some cultures today. We are always adapting, changing and shaping our environment by physically constructing a home, or building a home virtually. At the same time, our identities are slowly modified and morphed into a unique distinctive perspective.
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
ching ching cheng
Title
A name given to the resource
Ching Ching Cheng
apron
epoxy
home
identity
motherhood
resin
sculpture
-
https://www.artistparentindex.com/files/original/b66339a64167fb1b2f3942d22e03919c.jpg
4ea3b7c9c57abfc3fac824b22aa60d50
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://carolinekelley.com" target="_blank" rel="noopener">http://carolinekelley.com</a>
Topic
Artist Residency in Motherhood
autobiography
motherhood
home
building
making
nature
language
Medium
conceptual art
photography
drawing
installation
video
book art
research
writing
Artist Statement
Working across disciplines, I conduct research-based projects that take assorted forms, including installations, drawings, writing- and photography-based series. My academic work has been concerned with women's life-writing, literary theory and postcolonial literature. Since 2009, I've focused on projects that investigate the nature-culture dichotomy as well as stories of tourism, travel and exploration. I started an Artist Residency in Motherhood (ARiM) in October 2016, to document my experience of motherhood and explore the research process in this new (for me) context.
Location
The location of the interview
Paris
France
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Caroline Kelley
Title
A name given to the resource
Caroline Kelley
artist residency in motherhood
autobiography
book art
building
conceptual art
drawing
France
home
installation
language
making
motherhood
nature
Paris
photography
research
video
writing
-
https://www.artistparentindex.com/files/original/323182115e14ad6719e32ae41d2b4e30.jpg
0f5855b7f6f96e1c96fc432cbd52c06c
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://laurayuile.com" target="_blank" rel="noopener">http://laurayuile.com</a>
Medium
installation
sculpture
video
performance
Location
The location of the interview
London
United Kingdom
Artist Statement
<p style="font-weight: 400;">My work is multidisciplinary, installation-based, and performative, exploring notions of the domestic and the urban through the intimate (or public) matters of living together; personal care and household maintenance; wellness and well-being; and the effects of globalization and technological development upon living space. Propelled by narrative, installations probe issues of social discomfort and our cultural obsession with cleanliness; the methods through which society sanitizes women; our desire for quick-fix methods of self-help and self-care; and the increasing invisibility of technological infrastructure in the urban and domestic landscape.<br /><br />I have recently been the societal tendency to position the figure of the Child as representative of “the future” – a reliance on reproductive futurism - and the problems of this representation for those who choose not to reproduce or cannot reproduce. I’m interested in positioning issues of social reproduction alongside those of biological reproduction and exploring the notion of reproductive futurity alongside the neoliberal characteristic of cleanliness as generating a forward-facing pathway. I’m interested in deconstructing notions of “the future” and asking questions about ideas of care in relation to reproductive futurity and the drive for technological “innovation”.</p>
Topic
reproduction
reproductive futurity
family
care
feminism
queer
non-binary
the body
domesticity
labor
home
future
technology
childfree
childlessness by choice
childlessness by chance
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
nGbK (Berlin); Galerie Kunstbuero (Vienna); Apexart (New York); The Blackwood Gallery (Toronto); Recent Activity (Birmingham); Tate Britain (London); Mauve (Vienna); t-space (Milan) and Collective (Edinburgh).
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Title
A name given to the resource
Laura Yuile
Care
domesticity
family
feminism
home
installation
labour
non-binary
performance.
queer
reproduction
reproductive futurity
sculpture
technology
the body
the future
video
-
https://www.artistparentindex.com/files/original/f492c04be0739a4aa61ee5eb7ffaf37c.jpg
8de212f0320998023402cb3ca3373db9
Dublin Core
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Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Editor
<a href="http://www.artistparentindex.com/items/show/171">Csilla Klenyánszki</a>
Contributor
The author of an article within an anthology
Bogyó Virág (Graphic Designer)
City of Publication
Budapest
Amsterdam
Date of Publication
April 2019
ISBN 13
978-90-829885-0-5
Topic
artist mother,
artist/mother
motherhood
care
child care
family and career
domestic space
home
isolation
humor
maternal work
mother artist identity
chaos
naptime
motherhood and creative practice
stay-at-home parent
studio time
work/life balance
survival handbook
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Title
A name given to the resource
Pillars of Home
artist mother
artist/mother
book
Care
chaos
child care
domestic space
family and career
home
humor
isolation
maternal work
mother artist identity
motherhood
motherhood and creative practice
naptime
stay-at-home parent
studio time
survival handbook
work/life balance
-
https://www.artistparentindex.com/files/original/ac98d3c7a748725774f069d58dd65ead.jpg
750161a042c848f1e3bfce8f93940eb8
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.brittneydenham.net/">http://www.brittneydenham.net/</a>
Topic
motherhood
mothering
birthing
home
Medium
fiber
printmaking
photography
Artist Statement
In 2018 while attending my grandmother’s funeral I found out I was pregnant. The timing of these two events felt cosmically connected. A person’s departure means another’s arrival. To say the phrase “full circle” was used emphatically is an understatement.
The Arrival examines the life altering complexities that come with motherhood. Complexities such as: the passing of traditions, constructing home, navigating all-nighters, growth charts, feeding schedules, all while trying to reconcile an identity crisis of being a mother and artist. Departing from who I was without a child, and arriving to who I am now as mother.
In this body of work, I use photography and printmaking techniques that make multiples or used processes that can be replicated. I also worked with cyanotypes, one of the first photographic processes used to produce copies, or blueprints. This process helps me to reference the beginning of my son’s life, but also a human coming from someone else, a copy of the original. Full circle.
Location
The location of the interview
Sheridan
Wyoming
USA
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Brittney Denham
Title
A name given to the resource
Brittney Denham
birth
birthing
fiber
home
motherhood
mothering
photography
printmaking
USA
Wyoming
-
https://www.artistparentindex.com/files/original/71f0dfd825f87974c1e21db2782e3b75.jpg
5529d18e1916434fe5b81e92aedc38bc
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.crystalannbrown.com" target="_blank" rel="noopener">crystalannbrown.com</a>
Medium
multidisciplinary
interdisciplinary
Location
The location of the interview
Buckhannon
West Virginia
USA
Artist Statement
Crystal Ann Brown is an interdisciplinary artist/mother/academic currently working in
Buckhannon, West Virginia. For the past 9 years, her work has focused on holistically
blending art and life. This blending of her studio practice with her daily life also touches on
its inherent challenges. In her words, “my love/hate relationship with my kitchen might
manifest in my drawings and paintings that celebrate work and the labor of love with a hint
of fury and frustration shown in the economy of line found in blind contour drawings.” Her
practice strives to reveal the underappreciated aspects of mothering and everyday life
through the use of textiles, sculpture, time-based media, social practice and drawing.
Topic
labor
caretaking
mothering
play
domestic labor
naptime
cooking
cleaning chores
laundry
postpartum body
house
home
nursing
breast milk
family
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
2019 Why Mom, Commonweath Galley, Madison, WI
2019 Re : Birth, Edinburgh Palette, St. Margaret’s House, Edinburgh, Scotland
2018 Home Makers, Romano Gallery, Charleston, WV
2015 Interior Spaces (solo exhibition) Sleeth Gallery, Buckhannon, WV
2013 Shared Space (solo exhibition), The Hown’s Den, Kansas City, KS
2012 The Sea: Between Speech and Language (solo exhibition), Siegfried Gallery, Athens, OH
Dublin Core
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Title
A name given to the resource
Crystal Ann Brown
breast milk
Buckhannon
caretaking
chores
cleaning
cooking
domestic labor
family
home
house
interdisciplinary
labor
laundry
mothering
multidisciplinary
naptime
nursing
play
postpartum body
WV
-
https://www.artistparentindex.com/files/original/2c3d2d1dde9ac69de3931bfd87f28f56.jpeg
0adc3fc5bc12c235431dd0ab92ca4a24
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.alicestonecollins.com" target="_blank" rel="noopener">www.alicestonecollins.com</a>
Topic
caregiver
mother
suburban
mundane
family
home
stasis
comfort
Medium
gouache
paper
collage
Artist Statement
I am interested in the everyday. The mundane. And I look for beauty in these moments. Part of this is my experience with having kids. The repetition. The routine. The thousands of lunches packed and faces wiped. There is a common thread that all mothers have in these experiences, but also a true unique quality to these spaces in our lives. In my current pieces I'm exploring how we navigate the restraints often felt while in the trenches of motherhood and the contrasting energies of stasis and and comfort these borders bring. How does this impact the way we engage with our environment and each other?
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Alice Stone-Collins
Title
A name given to the resource
Alice Stone-Collins
caregiver
collage
comfort
family
gouache
home
paper
stasis
suburban
-
https://www.artistparentindex.com/files/original/9447e550228e9ce4e8fd5d3248dbd35c.jpeg
386df724b78bc964fe6e34b0887c557c
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.mequittaahuja.com" target="_blank" rel="noopener"><b>http://www.mequittaahuja.com</b></a>
Medium
painting
drawing
Location
The location of the interview
Weston
Connecticut
Topic
pregnancy
IVF
miscarriage
sleep
death/birth
grandmother
maternal lineage
love
fertility
family
the body
mother and child
self-portraiture
home
domesticity
grief
sonograms
art history
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
Riffs and Relations: African American Artists and the European Modernist Tradition, Curated by Adrienne L. Childs
The Phillips Collection, Washington DC
February 29 - May, 24, 2020
Community
Flint Institute of Art, Flint, MI
January 26 - April 19, 2020
Intricatcies: Fragment and Meaning
August 8 - September 14, 2019
Aicon Gallery
Dublin Core
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Title
A name given to the resource
Mequitta Ahuja
art history.
death/birth
domesticity
drawing
family
fertility
grandmother
grief
home
IVF
love
maternal lineage
miscarriage
mother and child
painting
pregnancy
self-portraiture
sleep
sonograms
the body
-
https://www.artistparentindex.com/files/original/51c1b3141afe10c00335d79868bf5967.jpg
ea23db8c596c14f12512eea9300cf59e
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.NicoleMcCormickSantiago.com" target="_blank" rel="noopener">www.NicoleMcCormickSantiago.com</a>
Topic
motherhood
domestic
home
children
chaos
birthday parties
parenting
child-rearing
Medium
oil
charcoal
graphite
monotype
Artist Statement
I have always painted my immediate surroundings in an effort to decipher the world around me. Often my works depict familar domestic scenes with simple yet layered narratives. My most recent works are a thinly veiled attempt to navigate my journey through the convoluted dynamics of parenthood and the unavoidable life transitions inherent on this journey.
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Contributor
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Nicole M. Santiago
Title
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Nicole M. Santiago
birthday parties
chaos
charcoal
child-rearing
children
domestic
graphite
home
monotype
motherhood
oil
parenting