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https://www.artistparentindex.com/files/original/6bb2e1291d6d97f55b95215dc55ca471.jpeg
e64733c4c2f74f7168d91059c7fc1266
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<p class="p1"><a href="http://www.jessdobkin.com" target="_blank" rel="noopener">jessdobkin.com</a></p>
Medium
performance
social practice
Location
The location of the interview
Toronto
Canada
Artist Statement
<p class="p1">I’ve been a working artist, curator, community activist and teacher for more than 25 years, creating and producing intimate solo performances, large-scale public happenings, socially engaged interventions and performance art workshops and lectures. My practice extends across black boxes and white cubes, art fairs and subway stations, international festivals, and single bathroom stalls. I’ve operated an artist-run newsstand in a vacant subway station kiosk, a soup kitchen for artists, a breast milk tasting bar, and a performance festival hub for kids. I’m forever inspired by the rebel queers, renegade witches, and other dyke moms I run with, and bound to many brilliant artists, activists, spell-casters and healers. <span class="s1">For many years I made performances that drew from my own experiences of trauma and transformation, intimacy and motherhood. More recently, I’ve experienced a shift in my practice, where my attention has turned to wider theoretical questions about the nature of performance itself to </span>ask questions about when, where, how we perform - in theatres and galleries, on social media, and in our everyday lives.</p>
Topic
abjection
activism
adulthood
aging
archive
art
art and research
artist mother
art making
artist parent
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal body
maternal bodies
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist identity
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood and political context
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
subjectivity
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mothers
single mother
social justice
social practice
stories
storytelling
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women's health
women's identity
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
The Lactation Station Breast Milk Bar 2006, 2012, 2016
Imagined Family Portraits 2007 - ongoing
Free Childcare Provided 2013
Fee for Service 2006
Being Green 2009
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jess Dobkin
abjection
activism
adulthood
ageing
archive
art
art and research
art making
artist mother
artist parent
artist-parents
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
Care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal bodies
maternal body
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist
mother artist identity
mother artists
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and political context
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mother
single mothers
social justice
social practice
Stories
storytelling
subjectivity
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women’s health
women’s identity
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https://www.artistparentindex.com/files/original/41e8a620cd250d3b1b6e2ed288081faf.jpg
98c8a5b1fbafa02096dfb4c89432c39d
https://www.artistparentindex.com/files/original/6e5e41aa6a088830f2130a54fb180576.jpg
6fd3685d7612b1665e139c335f3d4c1c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://albertoaguilar.org/" target="_blank" rel="noopener">http://albertoaguilar.org/</a>
Medium
interdisciplinary
Location
The location of the interview
Chicago
Illinios
Artist Statement
I, <br />I am, <br />I am here. <br />Now I am here. <br />Where are you? <br />I make work where I am. <br />I have allowed for questions. <br />I look for the simplest solution. <br />I have allowed for contradiction. <br />I have allowed for open-endedness. <br />I want my work to clearly communicate. <br />I allow my hand to show to disrupt any illusion. <br />I use language, text, and my voice as pliable forms. <br />I build bridges of communication through various forms. <br />I let the form of the work reflect the actions of its making. <br />I arrange ordinary materials for people to rethink perception. <br />I organize things through value, size or other default methods. <br />I establish a framework to stay focused and reach an end point.<br />I use the materials that are at hand to capture fugitive moments. <br />I look for underlying patterns within existing structures and systems. <br />I measure, demarcate, and play with existing structures and systems. <br />I use repetition and the mirror image as a way to multiply visual potency. <br />I use repetition and the mirror image as a way to multiply visual potency. <br />I construct situations and spaces for people to interact and share a moment. <br />I rearrange ordinary objects for people to see their surroundings in new light. <br />I recognize what is already there allowing it to bring deeper implication to my work. <br />I make, repeat, and persevere allowing meaning to emerge through the act of doing. <br />I allow the path I take to show in the work so that others can enter and exit as I have. <br />When I arrive at the end there is always surprise.
Topic
fatherhood
family portrait
parent/child collaboration
museums
domestic objects
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/384">moves on a human scale</a>
<a href="http://www.artistparentindex.com/items/show/391" target="_blank" rel="noopener">Care and Feeding: The Art of Parenthood, Palo Alto Art Center, 2018</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alberto Aguilar
Chicago
domestic objects
family portrait
fatherhood
furniture
Illinois
interdisciplinary
museums
parent/child relationships
weddings
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https://www.artistparentindex.com/files/original/ff2f419ea5a6f842e5109e47fd1d99e2.jpg
e9f366ee7cca645afad4d19a170e0a2d
https://www.artistparentindex.com/files/original/ba442baba0fa8b6896d5d37510cb91c9.jpg
813408112d5f462f19660863c9f8cfb2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.etiwade.com/" target="_blank">http://www.etiwade.com/</a>
Medium
photography
video art
Artist Statement
Motherhood is often precieved as uncomplicated, joyous and fulfilling. Albeit, some sacrifices have to be made, career aspirations restricted but on the whole motherhood is thought of as a welcome transition in every woman’s life. Popular and traditional representations of motherhood, young, attractive smiling women holding beautiful, healthy babies in nappy adverts or highly publicised and Photoshopped images of WAGs and other celebrity mums in the popular media, which resonate with the archetypal ‘Madonna and Child’ religious iconographic paintings confirming fulfilment and comfort women supposedly derive from the maternal role.
What is omitted and obscured in these dominant forms are the realities of motherhood as experienced by most women, especially, and most intensely, with the first child.
Becoming a mother affects an extreme and abrupt change in a woman’s life, constituted of loss of identity, loss of financial independence, loss of personal space and time, loss of status and extreme restrictions of freedom in addition to the changes in the body; often irreparable scars and physical trauma. Going through these changes, learning to accept what is lost and discovering the joys of the maternal role is a gradual process.
When my eldest was born I found the transition to motherhood almost unbearable and the invisibility of similar experiences, the lack of realistic role models only increased my own feelings of isolation and insecurity. Only with the birth of my second child I began to question and articulate my initial trauma. My work hence had been concerned with articulating honestly what I perceive to be my maternal subjectivity.
Topic
maternal subjectivity
bath time
family portrait
motherhood
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://artistparentindex.com/items/show/19" target="_blank">Project AfterBirth</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Eti Wade
bath time
family portrait
maternal subjectivity
photography
video art